The Akin Vitrine Gallery launched on October 1, 2016 at our Dupont studios. This miniature gallery features the diverse talent of our members with a new installation each month.

The gallery is located at the Clock Factory Building at 1485 Dupont Street (entrance on Campbell Avenue). Find Akin Studio 215 on the second floor and follow the sign into the hallway around the corner. The building is open from 9am to 6pm, Monday to Friday to arrange a viewing outside of those hours please contact us at info@akincollective.com

#AkinVitrine

Current Exhibition: 'High-Rise' by Jessica Thalmann

Our current exhibition running for the month of May, features new work by Akin Lansdowne member, Jessica Thalmann.

“These people were content with their environment, and felt no particular objection to an impersonal steel and concrete landscape, no qualms about the invasion of their privacy by government agencies and organizations, and if anything welcoming these intrusions, using them for their own purposes. These people were the first to master a new kind of 20th century life. They thrived on the rapid turnover of acquaintances, the lack of involvement with others, and the total self-sufficiency of lives which, needing nothing, were never disappointed.”
– JG Ballard


High-Rise is a site-specific installation of hand-folded archival pigment prints investigating the exploding steel and glass landscape of downtown Toronto as a veritable condoland converges onto the apex of the city. The strange lives of condo-dwellers seem at once compact, luxurious and quietly desperate as reflected sunlight bounces between glass curtain walls, almost folding one unit onto one another, never knowing where one begins or ends.

Photographs of glass condos are folded using a special Miura pattern named for its inventor Japanese astrophysicist Koryo Miura. A Miura fold can be packed into a compact shape, and unfurled in a single motion. This pattern has even been used in solar panel arrays for space satellites in the Japanese space program have been Miura folded before launch and then spread out in space.

Jessica Thalmann is an artist, curator and writer currently based in Toronto and New York City. She received a Master of Fine Arts in Advanced Photographic Studies from ICP-Bard College and a BFA in Visual Arts from York University. She has worked at the Doris McCarthy Gallery, Toronto International Film Festival, C Magazine, the Art Gallery of York University and Yossi Milo Gallery. She has shown at various venues in Toronto, Vancouver and New York City including the Art Gallery of Mississauga, Flash Forward 2010, Whippersnapper Gallery, Nuit Blanche, the Artist Project, VIVO Media Arts Center, Aperture Foundation, the International Centre of Photography, Photoville, the Camera Club of New York and Printed Matter’s New York Art Book Fair.

High-Rise, 2017
Folded Archival Pigment Prints
dimensions variable

The building is open from 9am to 6pm, Monday to Friday, or to arrange a viewing outside of those hours please contact the artist: jessica.thalmann@gmail.com

www.jessicathalmann.com
Instagram: @jessthalmann1
#AkinVitrine
 

 

Past Exhibitions:

'A Measure' by Emma Aurelia - April 2017

"A Measure" is an ephemeral multi-media installation by Toronto artist and Akin Lansdowne member, Emma Aurelia on exhibition for the month of April. A hand dyed, hand woven sand bag resembling water hangs from the ceiling by industrial chain. The bag has been filled with 20 kg of both wet and dry sand. Grains seep through the open weave of the cloth representing the time sensitivity of threats posed on natural resources.

Graduating from OCADU's fibre program, Emma works primarily in textiles but her practice extends in many other directions including sound and ceramics. Emma was the recipient of the AKIN Collective Career Launcher Award granted to a student based on work exhibited at OCADU's GradEx 2016.

www.emmaaurelia.ca
Instagram: @emma_aurelia_


Light Bath' by Adria Mirabelli - March 2017

New work from Akin Dupont member, Adria Mirabelli launched on March 1 in the Akin Vitrine Gallery. Her installation was intended to be a space of visual escape and an affirmation of the importance of self-care.

'Light Bath'
Hand cut vinyl, hardware, LED lights
dimensions variable

On view 24/7, time is an entity of interest inside a vitrine space. The vitrine offers a brief escape into another world- one whose welcome extends as long as the viewer chooses to stand in front of it. Winter can feel long and relentless and it is during these months that we often consider time with a heightened awareness. The days are shorter, and we desperately try to hold onto the light that leaves us. Cut from white vinyl, sprawling floral drawings fill the vitrine space with motifs of St. Johns wort, lavender flowers, wild roses, peonies and hemp leaves which are often regarded for their healing properties in combatting anxiety, depression and restlessness. The drawings are projected with soft beams of coloured light, which are controlled on site through Adria’s iPhone, changing in colour throughout the month.

Adria Mirabelli graduated from the Ontario College of Art and Design in 2015 with a major in Drawing and Painting and minor in Fibre. Having also studied at Parsons Paris, her work is influenced by craft and design processes. Her practice is driven by an experimental approach to mark-making whereby she integrates textile manipulation processes with drawing to create large scale works on silk, felt, vinyl and paper. Adria has created site specific installations at Gallery 1313, Xpace Cultural Centre, Artscape Youngplace, the Artist Project 2017 and was a resident at The Roundtable Residency in 2015. She lives and works in Toronto.

www.adriamirabelli.com
Instagram: @adriamirabelli


"Pepto-Abysmal" by Kyle Yip - February 2017

Our February installation featured work by Kyle Yip, a member of our Dupont Studios.

Multimedia artist Kyle Yip also known as Discrete, is a Toronto based artist, DJ, producer and label owner of Savvy Records. He is known not only for his first full-length album, 'The Midas Touch' which garnered him a nomination for 'Best Electronic Album of the Year' at the 2016 Canadian Juno Awards in Calgary, but also his remixes for international artists such as Brabe, Society of Silence and many more.

For his album, Kyle intertwined his love for jazz, disco and soul with a deep-house and techno tinged sensibility. This medley of inspirations were crucial to constructing a sound that is not only exuberant and enigmatic, but also nostalgic and thoughtful. A similar description could be given to his paintings which are equally as energetic yet considered through his use of colour and composition. Conceptually, his work explores the relationship between the concrete and the abstract. More specifically, the left and right hemispheres of the mind as well as physical and spiritual realm.

“Pepto-Abysmal”
48 x 36 inches
Acrylic on panel


Rebecca Jane Houston - January 2017

 

Our January exhibition was by Rebecca Jane Houston, a multi-disciplinary artist who works out of the Lansdowne Akin studios.

Her recent work has been with clay, making plaster casts of “Kee Klamps" and pipe in various clay bodies. This meditation on the form of temporary infrastructure is still in its experimental phase and is shown here in the Akin Vitrine as a work in progress. Rebecca often works for a long time with a particular material or form, and allowing repetition of a joint or object create its own abstract narrative. Sometimes, the process leads towards finished pieces if that seems appropriate, but not always.

Rebecca has worked in the community arts for many years, sits on the board of Mercer Union and is the proprietor and curator of The Northern Beaver Gallery, a vending machine art project.
 


'The Braids' by Nicole Krstin - December 2016

 

The Braids ran for the month of December 2016 in the Akin Vitrine Gallery. This new work from Akin member, Nicole Krstin is part of an ongoing series intended to foster dialogue, awareness and understanding about women’s health issues.

“The Braids is about navigating the seemingly otherworldly experience of trying to paint a clear picture of our medical profiles. It is about the need to be vigilant about understanding our bodies, our rights, and about asking questions in order to empower ourselves, rather than remaining in the dark about our health. Layers of paint are carefully cut by-hand to reveal imagery that represent healthy tissue, disease, information, misinformation — all of which is explored and or filtered-out in order to learn more about our bodies. The braids, which are interlaced and therefore stronger than the strands alone, represent the power of knowledge; revealing what is beneath the darkness.”

Nicole Krstin is a visual artist, currently focusing on film photography and painting. She is a “retired” graphic designer, holding a BA from the University of Toronto, with a Major in Anthropology and a Minor in English. Nicole describes herself as being known for incessant mouth breathing, an unrelenting admiration for cats, and saying weird things in-person and on social media. She is uni-coastal, splitting time between Toronto and Brooklyn.


'Scumland Lazy River', 'Crusty Junk Caverns', and 'Bubblegum Valley Install' by Erin Enns and Shanna Van Maurik aka Paper Bag Beers - November 2016

Our November 2016 exhibition featured the collaborative work of Akin members, Erin Enns and Shanna Van Maurik (AKA: Paper Bag Beers) and runs for the month of November.

Paper bag beers is a Toronto-based collaborative composed of two extraterrestrial rainbow children, Erin Enns and Shanna Van Maurik. Since 2013, they have been creating work together and sharing their love for the kind of colours that hurt your eyes. Enns' background is in illustration and design and Van Maurik's is in fine art, and painting. The combination of their two distinct styles creates work that falls somewhere in between fairy tale illustrations and dystopian toxic wastescapes. They illuminate planets unseen by the human eye, sometimes showcasing the creatures that inhabit them.

Exhibition includes two hanging pieces, Scumland Lazy River and Crusty Junk Caverns, both gouache on panel, 24x24” and a sculptural element titled, Bubblegum Valley Install.


SAT.00001 by Chris Harms - October 2016

Our first exhibition, SAT.00001 ran for the month of October, and featured brand new sculptural work by Chris Harms.

Chris has been a member of Akin Collective since 2013. His vibrant and elegant sculptures are made with hand-cut plexiglass. Harnessing light and colour, Chris’ work is intended to build a feeling of expansion and possibility, and functions as an exploration of space and physicality through his own aesthetic sensibilities.