Gladstone Hotel: Call for Submissions

logo


CALL for SUBMISSIONS & NUIT BLANCHE AT THE GLADSTONE

GLADSTONE GROW OP 2015 / culture of landscape
16-26 April, 2015. The Gladstone Hotel, Toronto
Application Deadline: 5pm on Friday 17 October, 2014


image

Toronto’s Gladstone Hotel is pleased to announce the 3rd annual Gladstone Grow Op, a ten day exhibition celebrating innovative ideas and conceptual responses to landscape, gardens, art and place making under the theme: culture of landscape. Grow Op 2015 will facilitate a cross-disciplinary forum across a broad range of creative practices within the vibrant setting of Toronto’s West Queen West neighbourhood.

Grow Op 2015 seeks proposals from across North America ranging from horticultural initiatives to experimental and innovative landscape, art and community engagement projects. We seek proposals from individuals and/or new and existing collectives whose work engages with landscape, place and/or the natural world with the ultimate goal of creating an immersive exhibition that is both provocative and boundary pushing. Grow Op 2015 offers an exciting venue to engage a large audience in a dialogue about the qualities and meaning behind the designed landscape both in the private garden and in our civic spaces.

Grow Op explores new territories and seeks to uncover new ways of expression and meaning through proposals that represent a wide range of approaches from the prosaic to the poetic, the elemental to the ephemeral. The use of plant material is not a specific requirement. Submissions are encouraged from a wide variety of creative practitioners including the following: visual artists, fabricators, craftspeople, planners, historians, arborists, agriculturalists, landscape architects, cooks, ecologists, botanists, performance artists, musicians, filmmakers, scientists, sound artists, gardeners, writers, poets, designers, architects and enthusiastic urbanists. To find out more visit our website.

image
NUIT BLANCHE AND 125TH BIRTHDAY!
September 5 to October 5, 12-5 daily, Second Floor Gallery
Plaque Presentation & Public Reception Sept 25, 7-9pm
Nuit Blanche Oct 4th Open All Night Long!

The Gladstone is celebrating 125 years this fall with an exhibition that reflects on the past and invites the public to contribute to the Hotel’s story, while inviting artists to propose the future. On September 25th, join us for an unveiling of our new historic plaque and join us as we look back on moments from the past 125 Years. On October 4th, for Nuit Blanche, artists take over the second floor with their propositional pieces for the space and help us interpret the future An international roster of artists who have made work that accentuate the magical qualities of the hotel, calling on the alchemy its site and recalling tales of its past.

In the BALLROOM: Sing Like No One’s Watching. Join Shameless Karaoke host Wil McLean for a special extended group sing-along karaoke. The words are on the big screen for everybody, so grab a hair brush on your way in and belt it out. Throughout the night we’ll also throw down some DJ sets if the room wants to dance. Extended liquor license means we’re serving & partying until 4am.

Nuit Blanche Featured Artists: Abstractus Collective, Adam Bialo, Andrew Choptiany, Apollonia Vanova, Ivan Buenader & Mary Dyja

Special Nuit Talk September 30, 6:30pm, Gladstone Ballroom
Walking Between Worlds - Navigating Issues of Migration and Exchange. Join A Walk Among Worlds artist Maximo Gonzalez and Stolen Portraits artist Ivan Buenader in discussion with Francisco Alvarez as they share insights on their practice.

About the Gladstone Hotel
The Gladstone Hotel is Toronto’s oldest continually operating hotel. In fact, this year, we’ll be turning 125 years young! Identifying as an art hotel since 2005, when local artists came together to transform our original 19th century hotel rooms into 37 unique rooms, and more like a gallery that never sleeps, we provide access to locally-made works 365 days per year. Our exhibitions and cultural programs host hundreds of artists, designers, craftspeople, musicians, performances, literary projects and social change events which illustrate Jane Jacobs’ assertion that ‘Old ideas can sometimes use new buildings. New ideas must use old buildings.’

Contact: Britt Welter-Nolan, MD Artistic Projects
britt@gladstonehotel.com
Gladstone Hotel 1214 Queen St West
Toronto, ON, Canada M6J1J6
gladstonehotel.com
416-531-4635

Workshop Series: The Story of the Lost Expedition- Paid to Participate!


The Story Of The Lost Expedition



6 Tuesday night workshops from Oct 07 thru Nov 11 / 2014

"When The Lost Expedition met they sat in a circle of twelve seats, one of which was always empty"
These workshops focus on using Story as a way to talk about something that can’t be talked about, to refer to something that can’t be seen directly, to bring unknowns (even unknowable unknowns) into relationship together. When used this way Story can become a framework to facilitate a change in consciousness for an individual within a group and, more importantly, to facilitate a change in consciousness for the group-as-a- whole. Participants in the workshops will be encouraged to take on a role within the story and to let the story evolve and inform their investigation.

Allen Morgan and En Burk have been working with the story of The Lost Expedition since 1986, with many other artists taking part over the years. Recently this work has taken on the form of a mandala. These workshops will take place within this mandala landscape.

Working with story can be particularly useful for artists of all persuasions. In order to take on a role in the story and sit on one of the seats in the circle of twelve, it is necessary for workshop participants to remember and then encourage a relationship with the unknown (and perhaps even unknowable) source that lies at the heart of their own personal work. Finding new ways to express and act within such a relationship is a primary concern for all artists.

There is a somewhat unusual fee schedule for the 6 workshops: $30 to be paid by participants before or at the first workshop. After they complete the second workshop $20 will be paid to participants at each subsequent workshop they attend. There are only 10 spaces available for these workshops.

For more info contact:



ART BUS: September 14!

ARTbus: Exhibition tour to the Justina M. Barnicke Gallery, Art Gallery of Mississauga and Oakville Galleries

Sunday 14 September 2014, 12:00 pm–5:00 pm
Pick-up and drop-off at the Justina M. Barnicke Gallery (Hart House, University of Toronto, 7 Hart House Circle, Toronto)
$10 donation includes admission to all galleries and afternoon refreshments

For reservations, contact artbus@oakvillegalleries.com or 905.844.4402 ext. 27 by Friday 12 September, 4:00 pm.

Ride the ARTbus and discover some of the best fall exhibitions in the GTA!

Our fall ARTbus begins at the Justina M. Barnicke Gallery with a tour of Why Can't Minimal by curator John G. Hampton. The ARTbus continues on to the Art Gallery of Mississauga for a tour of The Sahmat Collective: Art and Activism in India since 1989. Lastly, at Oakville Galleries participants will visit Shary Boyle & Emily Vey Duke: The Illuminations Project and Aleesa Cohene: I Know You Know. For more information, please visit www.oakvillegalleries.com.

In-kind support provided by Trafalgar Brewing Company and Whole Foods Market, Oakville




Canadian Art Review: Sunday Drive

An amazing review of Sunday Drive in Canadian Art can be found HERE

Well done Akin Collective members Tania Thompson, Oliver Pauk and Michael Vickers.






















For her Sunday Drive project, artist Hazel Meyer has turned the Cow Palace—the site of Warkworth’s Agricultural Fair—into an after-hours sports club for Muscle Panic, a rogue girl’s basketball team in need of a space in which to train, scheme, and otherwise spend time together, often at night. Photo: Sunday Drive Art Projects. - See more at: http://www.canadianart.ca/reviews/2014/08/28/sunday-drive-warkworth/#sthash.3V6rDwdi.dpuf

Colouring Book




Akin Collective is a shared art studio with locations in Parkdale and Bloordale Village that provide creative space to over 100 creative individuals. This publication contains 63 original works by Akin members as well as our nearest and dearest including contributions by significant members of the Toronto arts community including Scott Everingham, Georgia Dickie, VSVSVS, Alex McLeod, Jeremy Bailey & Kristen Schaffer, Melissa Fisher, Hanna Hur and more.
Each unique piece is reflective of the artist’s personal style, regardless of their usual medium or practice and each book itself is an original risograph edition. The book is yours to use as you please and we hope that you enjoy melding your own vision with theirs.

Colouring Book: A Project by Akin Collective is currently available at:
Likely General
Type Books - Queen West location


Scott Everingham, Dampland, scotteveringham.com


Alex McLeod, Skull Forest, alxclub.com


Stephanie Flowers, Echo, stephanieflowersart.blogspot.com


Please do not hesitate to get in touch should you be interested in a copy. Email us at akincollective@gmail.com or call Oliver at 416 823 2053.

SUNDAY DRIVE

WWW.SUNDAYDRIVE.ORG

ROAD TRIP WITH AKIN!

 

We are absolutely thrilled to be presenting a new large scale outdoor installation with Sunday Drive Art Projects. Join us on opening night as Akin Collective brings contemporary art to the small town of Warkworth, Ontario for this 16 day festival alongside Mercer Union, InterAccess, FADO Performance Art Centre, The Gladstone Hotel and many others from August 23- September 7.


NEED A RIDE? NO PROBLEM!
 

Take the Sunday Drive Express with Akin Collective - It's an easy way to get to the show and back and have a load of fun doing it. The Sunday Drive Express will leave Toronto's west end near Lansdowne subway station, from 87 Wade Avenue, at 4pm and return by midnight. $25 gets you a ride there and back for the opening party on August 23rd and includes beer, snacks and artistic surprises. If you do the math it all adds up to the best Saturday night you've had in a long time and a great deal.

Buy tickets here! http://www.uniiverse.com/sundaydriveart

Save 20%! Get discounted tickets by entering the code SUNDAYFRIEND when making your purchase.



WHERE IS WARKWORTH?


Warkworth is a quaint, beautiful, inspiring little town about 1.5 hours outside of Toronto that will be transformed by the work of artists chosen by artist run centres, collectives and alternative exhibitors that you'd never normally see outside of the city.


Facebook invite.


Just let us know if you have any questions: michael@akincollective.com and learn more about this amazing event at www.sundaydrive.org

#sundaydriveart #warkworth #artinunexpectedplaces

CALL FOR SUBMISSIONS: G44: NS

image
Image: PH15, Buenos Aires, Argentina

CALL FOR SUBMISSIONS
NS (NORTH-SUR NORTE-SOUTH)
An online photographic pen-pal project commissioned by
Toronto 2015 Panamania

Take part in the 2015 Pan American/Parapan American Games!

Deadline: September 5, 2014

gallery44.org/nsphotoexchange


In celebration of the TORONTO 2015 PanAm/Parapan Am Games, Gallery 44 is inviting Toronto-based artists to participate in a six-month, online interactive exchange with artists in Buenos Aires. Artists from Toronto and Buenos Aires will create photo-based projects exploring connections between and within different locations that are oceans apart. The new works created will be exhibited at:
  • Gallery 44 in Toronto (July 10 - 25, 2015)
  • A community centre in Buenos Aires (location & dates to be determined)
  • Public locations throughout the GTA during the PanAm/Parapan Am Games (July - August 2015)
Through this project, artists will work together to create images that explore local culture/s in the age of globalism. This project encourages artists to consider the following questions:
  • How does the reality of the global era impact our daily lives locally?
  • In a time marked by rapid communication, how can we effectively know and connect to other parts of the world?
  • What does it mean to belong to a place or many places?
  • What is the legacy we wish to share with future generations?
The international partners will participate in online group discussions, video conferencing sessions, and independent online communication using a web-platform and other public social networking tools. Online communication will be at the core of the process.

NS is a collaborative and multi-platform project with partners Gallery 44 (Toronto), PH15 (Buenos Aires) and OCADU (Toronto). NS is funded by the Toronto 2015 Panamania Commission Fund, and other sponsors.



ELIGIBILITY
Toronto–based youth and artists with an interest in international collaboration, cross cultural exchange, and photography as a tool of social activism and community engagement.
  • Artists of all ages, and at all stages of their careers with an interest in participating in an international project. We highly encourage applications from artists with previous experience in collaborative art making.
    OR
  • Youth (18-26) at the early stages of their artistic exploration with some experience in photography and an interest in international exchange.

APPLICATION PROCESS
Please apply online at www.gallery44.org/nsform

Submit:
  • 10-12 images of recent and relevant work. If you have participated in collaborative art projects previously, we recommend that you include this in your support material. Images must be submitted as jpgs. Max. 2 MB per image.
  • Image list and description (title, medium, dimensions in inches, year, and brief description of work) in PDF or DOC format.
  • A statement of intent including your interest in international collaboration, socially engaged art practices, photography as a tool for social change, advocacy and/or communication. Please describe your art practice OR include a statement outlining your interest in the project, in photography, and in international collaboration. (500 words maximum)
  • A curriculum vitae, resume, biography, or list of relevant experiences, in PDF or DOC format.
If you have any questions about the project or this call, please email ns@gallery44.org.


ABOUT G44
Gallery 44 Centre for Contemporary Photography is a non-profit artist-run centre committed to photography as a multi-faceted and ever-changing art form. Founded in 1979 to establish a supportive environment for the development of photography, Gallery 44’s mandate is to provide a context for reflection and dialogue on contemporary photography and its related practices. Gallery 44 offers exhibition and publication opportunities to national and international artists, award-winning education programs, and affordable production facilities for artists. Through its programs, Gallery 44 is engaged in changing conceptions of the photographic image and its modes of production.

ABOUT PH15
Ph15 is a non-profit organization, which aims to use photography to develop expressive, communicative, and technical skills in children and youth who live in vulnerable situations with the intent to stimulate social integration and the socialization of the artistic experience.

ABOUT OCAD University
OCAD University (Ontario College of Art & Design), located in Canada’s largest urban centre, offers a full complement of Art and Design programs, as well as focused Liberal Arts and Interdisciplinary Studies, leading to BFA, BDES and BA degrees. Cross-disciplinary practices are key to OCADU’s environment and the International Collaboration Studio, initiated in the Photography program in 2010, embodies this philosophy, attracting students interested in international and collaborative experiences, in cultural exchange and online communication. The local and global are inextricably linked in today’s world and with OCADU’s commitment to exploring digital culture and its relationship to contemporary art, the Faculty of Art hopes to create direct experiences for students and forge ongoing networks of creative individuals.

North-Sur Norte-South is part of PANAMANIA, presented by CIBC. North-Sur Norte-South was commissioned by the Arts and Culture Program of the TORONTO 2015 Pan Am and Parapan Am Games.

XPACE: CALL FOR SUBMISSIONS


xpace


CALL | XPACE | OUGHT | AUG 31
------------------------------------------------------------------------
OUGHT compiles the variety of suggestions posed by parents to
their artist children in misguided attempts to support,
encourage, or simply understand. OUGHT exhibits the
materialization of these often ridiculous ideas, as artists actually
attempt to create or fulfill what was suggested of them. The
show will illustrate examples of non art-world or art-educated
ideas of the function and aesthetic of art, while simultaneously
illuminating the underlying encouragements and
discouragements that exist at the foundation of every artist.

Artists are asked to work with their parent‘s suggestions exactly,
and not to use the theme to further interpret encouragement
and its role in artistic individuation. In order for the theme to
accurately illustrate the importance of the element of
encouragement, artists must find the balance between their
intended work and their parent‘s ideas of what their work should
be. The parent‘s suggestion must be exactly created (within
reason) but the means with which it appears in the show may be
properly altered to better suit the work of the artist.

OUGHT will be exhibited at Xpace in Toronto from November
21st to December 13, 2014.

Deadline - AUGUST 31 2014

Submission Requirements
- Name, title of work
- Description of work (500 words max) *Must include parent‘s
suggestion
- Technical description of work (250 words max)
- Artist statement
- Artist CV
- Images if applicable in PDF/JPEG format

SUBMIT TO OUGHTSUBMISSIONS@GMAIL.COM
http://joelewalinga.com

SONA SAFAEI-SOOREH: ASSIGNMENTS OPENS JUNE 27 AT ARTSPACE






Jun 27 2014 - Aug 16 2014
Opening: 
 Friday, June 27, 2014 - 7:00pm - 11:00pm
Assignments includes various works by interdisciplinary artist Sona Safaei-Sooreh that explore the sites of communication, and more importantly, miscommunication embedded in contemporary art practices.
 








“In the past few years my work and process have explored the notion of self and otherness and part/whole relationships in a decentralized global situation. In doing so it has elaborated on number of concerns: differences among languages and cultures; how meanings and cultural codes get lost in translations; the possibility of communication across cultures; issues around diversity; globalization and homogenization; the effects of creating a common knowledge- specifically a common art discourse; and more recently, the relationships between art and economy.
After I moved from Iran to Canada I attended OCADU and challenged my Iranian post-secondary schooling experience. I delved into Canadian Contemporary Art and culture to adapt myself to this new territory, starting with changing my medium of practice from painting to video. I became interested in understanding agencies inherited in this new structure: interests/desires of the new domain, new laws and regulations, and the most wanted and marketable ideas, perhaps to develop a common knowledge with my surroundings. I have noticed that I continue to compare two states of being: when one thing belongs to two things and none of them at the same time. The plurality of selves I experience in my personal life encompasses most of the questions I raise about the art world. Some of these questions are: how one experiences otherness in the art world? What is the individual’s relationship to the institution? Is it necessary to develop a common knowledge with the state apparatus? Does not pursuing a common knowledge favor controlling systems? What happens if one cannot find anything in common with the dominant discourse?”
-Sona Safaei-Sooreh 


Artist Bio: 
Sona Safaei-Sooreh studied art at Azad University of Tehran and graduated in July 2006 with a BFA in Painting. She moved to Canada after finishing her studies in Iran and she is a recent graduate from OCAD University in Toronto.
Safaei Sooreh has exhibited her works extensively both in Iran and internationally, to name a few Limited Access in Tehran at Mohsen Gallery, Iran & co at La Bourgoaise in Belgium, If we ever meet again … at Thomas Erben Gallery, New York and In Other Word at Kunstraum Kreuzberg / Bethanien, Berlin. Her work and process explores the notion of self and otherness, the linkages between one and many, and part /whole relationships in a decentralized global situation. In doing so it elaborates on number of concerns: differences among languages and cultures; lost meanings or components in translations; possibility of communications cross cultures; and artist/museum relationships. Safaei Sooreh lives and works in Toronto, Canada.