Image Description: The words "Introducing Akin Richmond-Bathurst Expansion!" appear on an image of an interior of a red brick building with a window and books and a plant on the shelf in the background.
Image Description: The words "Introducing Akin Queen East" appear on a mustard yellow background along with two squiggly graphic shapes in peacock blue and the Akin logo on the top right hand corner.
Introducing Akin Queen East - our newest East End studio!
Akin is proud to present our newest studio offering for our beloved East End artists! Located at 429 Queen Street East, Akin Queen East is near the intersection of Queen St E and Sackville Street.
Located near Cabbagetown, Regent Park, Riverdale Park and the Distillery District, this new studio is the ideal spot for East End artists!
AKIN QUEEN EAST
29 Queen St E, Toronto, ON M5A 1T5
As the studio is right on Queen street, the closest TTC stops are the 501 Queen Streetcar at Sackville St, both east and westbound.
Inhabiting all three floors of the building, the studio includes 39 dedicated studios (i.e your own studio) ranging from 25 sqft for $187/month to 130 sqft for $590/month and 20 shared memberships available for $78/month. There are both private and semi private dedicated studios at Akin Queen East. Monthly prices include taxes, insurance, wifi, utilities, 24/7 access as well as use of shared shelving units, washrooms, communal working areas and kitchen. The studio features two gender-neutral bathrooms. There are steps leading to the entrance, second floor, and basement where the bathrooms and kitchen are located, with no ramps or elevator available.
The studio itself is architecturally interesting, a long skylight stretches the length of the building, with light reaching down to all three floors thanks to the open concept layout. The studio is in a lively neighborhood, with close proximity to delicious food and local cafes and the camera store Vistek, is just across the street.
Akin Queen East is expected to reach capacity quickly, so please reach out soon to secure your spot. Priority will be given to current Akin members and individuals on our waiting lists. However, we'll strive to accommodate anyone interested in this new location.
If you’re interested in a membership please email
info@akincollective.com and let us know what you are looking for!
Image Description: The words "Introducing Akin Niagara" appear on an image of a large six story building of aluminum and brick with colourful graphic shapes in pastel pink, yellow and blue.
Introducing Akin Niagara - our newest West End studio!!
Our newest studio location is here! Introducing Akin Niagara, located at 289 Niagara Street, just south of Queen Street West.
Steps away from the south end of Trinity Bellwoods Park, Type Books and the White Squirrel Cafe, Akin Niagara is a prime location for West End artists!
AKIN NIAGARA
289 Niagara St., Toronto, ON M6J 3P3
Situated in the lower level of an apartment building, Akin Niagara hosts large windows and a private outdoor patio.
Akin Niagara has 27 dedicated studios (i.e. your own studio) and private and semi private studios ranging in size from 40sf ($252/month) to 115 square feet ($541/month). We also have 10 shared memberships for $78.00/month.
Monthly prices include taxes, insurance, wifi, utilities, 24/7 access as well as use of shared shelving units, washrooms, communal working areas and kitchen.
Akin Niagara is expected to reach capacity quickly, so please reach out to secure your spot. Priority will be given to current Akin members and individuals on our waiting lists. However, we'll strive to accommodate anyone interested in this new location. We're thrilled to expand the Akin community in the West end of the city. Keep an eye out for more studio updates later this month!
If you’re interested in a membership please email
info@akincollective.com and let us know what you are looking for!
Artist Opportunities, Spring Edition!
Celebrate spring and grow your art career by applying to some calls for submissions! We've compiled a list of upcoming opportunities for you to showcase your talents. Don't hesitate to apply – remember, Akin is cheering for you!
"Just Us" Art Call
Call for Artists
Deadline: August 4, 2024
StART’s fourth annual "Just Us" Art Call seeks mural project concepts highlighting social injustice, equity, and community engagement, particularly concerning Black and Indigenous peoples and other equity deserving groups. Artists committed to diversity and positive change are invited to submit proposals addressing historic and current social issues. Projects must be visible from a city street in Toronto and have property owner authorization. Selected projects may receive up to $5,000 for creation.
Mural by Donovan Searchwell and Labrona Lovegates. 29 Lower River Street, Toronto.
Read more and and apply here
Ontario Arts Council
Artist Grants
Deadline: May 2, 2024
Skills and Career Development: Indigenous Arts Professionals and
Arts Professionals of Colour
This program supports Ontario-based Indigenous arts professionals and arts professionals of colour, or groups comprised of them, for skill-building and professional development opportunities. It funds various art practices endorsed by OAC, including study, mentorship, internships, apprenticeships, and artwork documentation, with a maximum grant of $10,000 for skills and career development.
Image by Jennifer Marquez @jamscreativephotography
Read more and and apply here
Craft Ontario
Call for Exhibition Proposals
Deadline: May 27, 2024
Craft Ontario is currently seeking proposals for solo and two-person exhibitions to take place in the Craft Ontario Gallery, 1106 Queen St West, in the 2025 calendar year.
More details and application here
Ontario Arts Council
Artist Grants
Deadline: May and November 1, 2024
The John Fluevog Shoes Emerging Artist Grant is intended to help emerging artists develop their skills and increase the visibility of their artwork. The winner will receive $10,000 towards their artistic wThis program supports Ontario-based visual artists in creating new work, aiming to encompass diverse artistic practices and support excellence, regional activity, and various artists and communities. It offers three funding categories based on years of professional practice and public presentation of work: Emerging ($5,000), Mid-Career ($7,500), and Established ($15,000).
Find more details and apply here
Artist Call
Deadline: April 19, 2024
Vector Festival is a digital media arts festival in Toronto, showcasing digital games and creative media. The flagship exhibition for 2024, curated by Miriam Arbus, explores migration, weather, geopolitics, and algorithms. Artists are encouraged to submit works reflecting the cosmic and interconnected theme. Submissions for the 2024 program are open, with the festival running from July 11 to 21, 2024, and exhibitions extending until August 10, 2024.
For more details and application here
As always, we’d like to thank our incredible community for your continued support. Good luck!
Love, Akin
Image Description: Illustration of a human wearing a pink scarf on their head under a textured background of light blues. The following text lives on a solid chartreuse rectangle. Being Scene MAR 30 - APR 19 Remote Gallery, APR 5 - MAY 3 Workman Arts Offsite Artscape Youngplace, MAR 25 - APR 20 Workman Arts & Tangled Art + Disability Artist in Residence Exhibition
23rd Annual Being Scene Exhibition
The Being Scene Annual Juried Exhibition serves as a platform to showcase the rich and varied talent within the Workman Arts community. We aim to continue brightening the city with our diverse and inclusive exhibition. This annual event is a celebration of creativity that contributes to and fosters a sense of belonging within the broader cultural landscape.
This year, the Being Scene exhibition will be held at two locations: Remote Gallery, opening Saturday, March 30, and Workman Arts’ offsite location at Artscape Youngplace, opening Friday, April 5. These springtime exhibitions will display over thirty juried artworks selected by Aidan Cowling (The Blackwood Gallery), Heidi Persaud (Tangled Art + Disability), and Jesse King (Art Gallery of Ontario).
Days and Times Open to the Public:
March 30 - April 19
Wednesdays to Sundays, 12-5 PM (closed Mar. 31)
Opening Reception:
March 30, 5-8 PM, Remote Gallery, 568 Richmond St. W.
Image Description: Illustration of a human wearing a pink scarf on their head under a textured background of light blues. The following text lives on a solid chartreuse rectangle. OPENING RECEPTION: Sat. Mar. 30, Remote Gallery, 568 Richmond Street W. Toronto, ON M5V 1Y9
Participating Authors/Artists:
Áine Belton
Adi Amit
Anna Camilleri
Cassandra Chassi
E. Franklin
Grigio Liu
Ica Pas
Jace Traz
Lorette C. Luzajic
Ronald Berberich
Serena McCarroll
Shannon Taylor-Jones
Stephanie Avery
Remote Gallery, 568 Richmond Street W. Toronto, ON M5V 1Y9
Akin Artists at The Artist Project, April 11 - 14
The anticipation builds as The Artist Project approaches! We're thrilled to announce the participation of six current Akin members alongside numerous alumni. Join them at the Better Living Centre in Exhibition Place from April 11-14, along with over 250 independent artists. Immerse yourself in an atmosphere crafted to spark meaningful dialogues and forge intimate connections with art. Delve into a vast array of artworks and large-scale installations, partake in curator-led art tours, and discover that perfect piece that speaks to your soul.
Ashley Snook, Booth 437
Ashley Snook (Akin Dupont) is an award winning interdisciplinary artist, researcher and educator. She holds a PhD in Art and Visual Culture from Western University. Informed by biology, scientific research and socio-cultural dynamics, Snook explores the complexities of diverse living networks and the concept of animality. To Snook, exploring ones own unique position in animality has the potential to open perspective on human existence and relationships with one another, human-animal relationships, and relationality to the more-than-human world. It is a rebellious act against hegemonic forces that have enabled things like environmental degradation, capitalism, hate, overworking, and conformity. Her practice explores connections through differences, impermanence, composting, and imaginative reworlding, and therefore, animality is a constant theme of contemplation in Snooks work. Working predominantly in drawing, sculpture and installation, animality is imbued in everything she does. She is fascinated by the micro and macro relationships between human animals, nonhuman animals, bacteria, fungi, and vegetal/botanical life—this prompts her to blur distinctions as to what is human, animal, plant, living, or nonliving. Within these methods of creating, Snook looks to ways in which she can further engage her audience. This often looks like incorporating viewer participation, encouraging presentness, sensory awakening, for example, by incorporating smell, mood lighting, tactility, sound, and playfulness in her work.
View her entire Artist Project profile here
Janne Reuss, Booth 100
Janne Reuss (Akin Yonge-St Clair) was born and raised in Mexico City and is currently based in Toronto, Canada. She has been a professional practicing artist for more than two decades, having lived, worked and exhibited her artwork in Mexico, United States, Germany, Italy and Canada. She studied Fine Arts at the Academy of Art & Design in Stuttgart, Germany. Her preferred media are photography and collage, but she also paints, often cycling fluidly between the three. A constant theme in Janne’s work is her interest in human nature and how memories and experiences are imprinted deep inside of us. Janne’s work is held in private and public collections including the Donovan Art Collection at St. Michael’s College (Canada) and the Municipal Gallery of Ostfildern (Germany).
View her entire Artist Project profile here
Jen Arron, Booth I-02
Jen Arron works with globally sourced fibers in her studio-based practice. Weaving in a freestyle approach, her large-scale pieces reveal connections about time, texture, and materials. Jen’s process of discovery often reflects an ecosystem of life.
View her entire Artist Project profile here
Lindsay Chambers, Booth 318
Lindsay Chambers (Akin Richmond-Bathurst) is a contemporary Canadian artist who currently lives and works in Toronto. Her work belongs to collections across Canada, as well as in the United States, UK, Dubai, New Zealand, Australia, Switzerland and Japan. Her work explores the delicacies of the human condition through paintings based on crumpled paper sculptures. All reference material, including any pattern or text, is carefully executed by the hand of the Artist. Chambers’ painting objective is to explore materials, to manipulate paint and maintain the visibility of layers. At all times a viewer is reminded of the painting process through layers of paint, variation in directional brushwork, and texture. These works are not as concerned with realism, rather the fluidity of materials and the painting process.
View her entire Artist Project profile here
Loren Kaplan, Vessels & Sticks Gallery, Booth 125
Loren Kaplan (Akin Dupont). In my work I integrate symbolic, visual, tactile and spiritual values – blending form, function and meaning. My work resonates with light, sound, pattern and texture and includes pieces that are created by coiling and hand-building as well as specialized ranges of thrown work. Once built, the surface of the vessels are carved, sculpted or engraved with intricate patterns and symbols that combine the geometric and organic. There are many diversities and extremes that I try and hold and balance within my life and work. Within them all, they hold the silence and meditation of the making, the time, the process and the attention to detail. I make vessels because containers are about potential. My focus is on the space-in-between; defined spaces of emptiness making room for something to be held.
Miles Ingrassia, Booth 224
Miles Ingrassia (Akin Dupont) is a painter and printmaker based out of Toronto.
View his entire Artist Project profile here
Good Luck to all of the Artists!
Love,
Akin
Image Description: Text that reads “SEAMLIGHT” overlaid on a photo of Shayla Bond’s artwork, a minimalist 12” x 12” sewn textile work.
SEAMLIGHT, New Exhibition by artist Shayla Bond at the Akin Vitrine Gallery
Image Description: Shayla Bond’s piece Seamlight installed inside the Akin Vitrine Gallery, a white box with two thin fluorescent tube lights on the ceiling. Light boxes are mounted on the three walls of the vitrine gallery, symmetrically aligned, each with woven textiles inside, one gray, one yellow, one navy blue.
Here at Akin, we’ve known about Shayla Bond’s incredible craftsmanship and eye for intricate detail for a long time, which is why we’re so excited that her newest exhibition, Seamlight, is up now at The Akin Vitrine Gallery until April 11th! This exhibition is not to be missed.
The gallery is viewable 24/7 from the sidewalk at 1747 St Clair Ave W, just east of Keele.
We reached out to Shayla to learn more about her process, muses and inspirations. Read the interview below.
Shayla Bond is a Canadian process artist who integrates design principles into fibre works to preserve heritage craft techniques within a contemporary framework. Her work explores themes of perfectionism, control, and obsession through aesthetic strategies such as colour, precision, and repetition.
Her exhibit, Seamlight, runs from March 11th to April 11th and features three 12" x 12" sewn textile works elegantly framed and installed, offering a captivating blend of minimalist aesthetics and innovative functionality.
At first glance, these works appear as solid-coloured textiles. However, they possess a hidden surprise – they can be turned on to emit a soft, mesmerizing glow. This subtle illumination serves a dual purpose: it not only enhances the visual appeal of the pieces but also unveils the concealed craftsmanship typically found on the reverse side of sewn garments and linens. By casting light on the intricate seams and stitches, this installation invites viewers to appreciate the meticulous artistry that goes into creating textile works prompting viewers to reconsider the beauty and artistry inherent in everyday objects.
Image Description: An image of artist Shayla Bond’s piece Seamlight. Three light boxes are mounted to a white wall in a vertical line. Inside the frames are woven textiles with a lightsource behind them. The textiles are dark blue, yellow and gray respectively. A cord hangs from the bottom of each lightbox.
What are you curious about right now? What do you do to stimulate curiosity and inspiration?
Currently, I'm curious about the ways that pliable materials can be manipulated into solid or 3 dimensional structures. Continually, I am curious about how I can drive deeper into the art of heritage craft techniques while still creating works that feel visually relevant in today’s aesthetic obsessed world. Simultaneously moving backward and forward in time.
What was your first medium?
The first medium I can remember using was cheap acrylic paint. My craftsmen mother always had them laying around as she used them in her primitive woodworking. She would cut out shapes from wood and allow me to paint them.
Do you have a studio routine?
I am in my studio most days from 9-5pm. When I arrive at 7am, I am most prosperous and productive in creating as I am a morning bird. I try to segment the commercial side of my business, creating, and admin work by days, and avoid using those parts of my brain all in one day. One day a week I try to work on grants and exhibition proposals.
Image Description: An image of artist Shayla Bond’s piece Seamlight. Three light boxes are mounted to a white wall in a vertical line. Inside the frames are woven textiles with a lightsource behind them. The fabric is illuminated by the light, revealing the seams and accentuating the honeycomb-like shapes of the stitching. A cord hangs from the bottom of each lightbox.
Do you have creative prompts or habits to help you get started? Any self-care tips to share?
I begin my day as soon as my eyes open by rolling over in bed and doing ’morning pages’, which is something I took away from the book The Artist's Way by Julia Cameron. Morning pages are 3 written stream-of-thought pages of journaling that can be a huge guiding force for my day. It helps me focus on priorities top 'wants' before any other thoughts, or worries adulterate my brain. As someone with ADD, it helps me set my intention for the day and when reviewing what I wrote the following day, helps keep me on track with goals.
Is there an artist you'd like to go back in time to meet? Or someone you'd love to invite to dinner right now? Who is it and what would you ask them about?
This is a hard one. So many talented people who paved the way for craft-based artisans today, blurring the line between fine art and craft. I would love to go back in time and meet Alexander Girard, renowned architect, interior designer, furniture designer, industrial designer, and a textile designer. As someone who feels quite disciplinary in my approach to textiles, I'd like to ask about his design process and cross pollination of mediums, along with some of his values/beliefs. He's known to have had a manifesto that guided his practice.
What are some of the benefits of being in the studio for you?
Being in the studio has multiplied my growth as an artist. Having a space that is dedicated to your practice can be hugely beneficial to your production. There are little distractions that there would be at home, when you arrive, you simply pick back up where you left off the previous day, and you are also offered that sense of validation and confidence so many artists crave and need when claiming, "I am an artist". It is a tiny world in which your creativity can live in full force.
What are you NOT very good at? What do you WANT to be good at?
I am not good at saying no, and prioritization. I take on too many projects which splits my ability to get better in individual areas and can stunt growth. As someone who tries too hard to be good at everything, I think my answer to this would be that I am actively trying to reframe and be happy with NOT be good at everything - because it's unattainable! 🙃
You can find more of Shayla’s work on her website www.shaylabond.com and on her instagram @bushclass
Introducing the Flex Space at Akin Davisville
Akin Davisville proudly introduces our latest offering: the Flex Space! The Flex Space is a 200sf private room designed for creatives and professionals seeking a versatile workspace. The Flex Space can be booked for $15/hour.
The Flex Space is available exclusively to Akin Davisville members and members in other Akin locations. To join Akin Davisville please email info@akincollective.com
Akin Davisville Memberships start at $78 for a Shared Membership (access to communal workspace). We also have Dedicated Memberships (your own personal workspace) ranging from 25 square feet at $187/month to 135 square feet at $610/month.
Monthly prices include: taxes, insurance, wifi, utilities, 24/7 access as well as use of shared shelving units, washroom, communal working areas, and kitchen.
Kiln Operator at Akin Davisville: Call for Expressions of Interest - Deadline March 1st
Akin Davisville, 224 Merton Street, is looking for a kiln owner who is interested in an Akin Studio Membership starting in February or March 1st 2024 and would like to operate their kiln from the studio. If you have a kiln and would like to operate your own kiln firing business out of an Akin studio, read on to learn more about this opportunity. We have approval for one kiln to be installed in the building so this is a limited opportunity.
What does running a kiln out of an Akin Studio look like?
Kiln owners and operators run their own firing business out of an Akin studio. Akin does not take a cut of any profits earned from firings. It is up to the kiln operator to determine how often they will fire for themselves and others, what they will charge as a fee, and how they will communicate with clients and organize their firing schedule. We have members doing this at Akin Dupont and Akin St Clair currently. Akin can support your business by promoting it on our website like this: www.akincollective.com/ceramics
Kiln owners will rent the space from Akin to be used as a kiln room. At Akin Davisville, we’ve reserved a suitable room to dedicate to kiln use. Additional space in the building could be rented as well if you needed more space for working, shelving or other storage.
The kiln operator will also be responsible for signing Akin’s Kiln Contract for Kiln Owners and Operators at Akin Studios prior to joining. This contract can be found here and should be reviewed prior to filling out the submission form.
What will it cost me to install a kiln at Akin Davisville?
The kiln operator will rent the studio we’ve designated as the kiln room. The kiln room we’ve chosen is 55 square feet, and the price is $310/month which includes HST, insurance, wifi, 24/7 access, access to communal workspace, kitchen and bathrooms. There will be an additional monthly fee for hydro usage, based on the frequency and duration of kiln firings and the electricity consumption of the kiln. You will also be responsible for all of the expenses related to installing the kiln including electrical work and ventilation.
You must supply all of your own equipment, including the kiln, shelving and anything else that is needed (eg materials and supplies).
The kiln must be installed by a certified electrician to ensure the safety of all studio members. The kiln must be put on its own breaker.
What do the facilities look like?
Image Above: The designated kiln room at Akin Davisville
The designated kiln room is a 55 square foot (about 7.5’ x 7.5’) private room with a door that closes, tile floors, and a window leading to outdoors. This room was built with an air vent, as we suspect it served the former tenants as a laundry room.
What control will Akin have over my firing business?
Aside from selecting a suitable kiln owner who is knowledgeable and experienced in operating a kiln, Akin will not assume any control over your firing business. The kiln owner is expected to set their own rates, have their own insurance, organize their own schedule, and assume responsibility for all aspects of their own business. We aim to find a kiln owner who is willing to fire for people within the studio or the larger Akin community if you wish to, and not just for themselves.
The kiln owner will also need to abide by Akin policies including our Code of Conduct, Health and Safety Policy and Guest Policy.
How long will I be able to keep my kiln at Akin Davisville?
As long as you’re a member who pays their monthly fee on time, follows our Code of Conduct and Health and Safety policy, you will be allowed to run your kiln firing business out of Akin Davisville for as long as Akin is leasing the building. Please note that our studio lease end date is November 30th, 2026, however, the landlords may ask us to leave earlier if their site development plans change and we would receive four month’s notice of this. We expect to be staying in the studio at least until the end of 2024. Although we often operate on short term leases we have found that in most cases we are able to extend our stay in these buildings due to the typically slow pace of property development in Toronto. There are however other instances in which property owners make use of the demolition termination clause that often exists in ours and many commercial leases, which means that we have to move out before the end of the lease.
As a team we feel it is important for us to be open and transparent with you as current and prospective studio members so that you have the necessary information in order to make the decisions that are best for you and for your career.
How do I apply?
If you’re interested in becoming a kiln operator at Akin Davisville, please fill out this form. Akin staff will review the form submissions and connect with respondents directly. The deadline to fill out the form to express interest in this opportunity is March 1st, 2024 Filling out the form does not guarantee Akin Davisville membership. Priority will be given to folks who are already on an Akin Waiting List, and folks who self-identify as belonging to our priority equity-deserving groups (Persons of Colour, Deaf Persons, Persons with Disabilities and Persons Living with Mental Illness, Indigenous, 2SLGBTQ+)
We look forward to hearing from you! Please email info@akincollective.com with any questions you may have.
FORM LINK: https://forms.gle/Jt1DCML3QvKEFdjf6
Deadline March 1, 2024
Inspirations Studio, Art Auction & Fundraiser!
Please join us to celebrate 30 years of YWCA Toronto’s Inspirations Studio, a unique ceramics arts program that empowers women experiencing poverty, mental health or disability, while improving their lives through the making and selling of pottery.
Thursday March 21, 2024, from 6 to 9pm at OCAD University’s Great Hall, Level 2, 100 McCaul St., Toronto.
Hosted by Carolyn Taylor of Baroness Von Sketch and I Have Nothing on Crave, the event features:
LIVE Auction at 7pm featuring work by 10 amazing contemporary artists:
Mel Arsenault, Marissa Y Alexander, Shary Boyle,
Maggie Boyd, Lisa Creskey, Heather Goodchild, Lindsay
Montgomery, Julie Moon, Rajni Perera and Kendra Yee
Silent Auction with work by studio members and response paintings
by OCADU students, plate settings from Toronto Potters and
gifts from local businesses.
Complimentary refreshments and drink.
Music and mingling.
DIY Pottery painting, wheel demos, raffles & more!
Come be inspired by beautiful work and stories of the transformative power of art! And know that 100% of the proceeds will go to YWCA Toronto’s Inspirations Studio to offer low barrier access and opportunities.
Help keep this small but mighty program going strong!
Please share and we will see you there!
Inspirations Studio
389 Church Street
Toronto, ON M5B 2E5
416-367-2728
Please follow us!
@inspiredpottery
Every Day I Wake Up and I'm Still in Tokyo: Artist Tam Phan’s new exhibition at the Akin Vitrine Gallery
We’re excited to introduce a brand new exhibition up in the Akin Vitrine Gallery at 1747 St Clair Ave: ‘Every Day I Wake Up and I'm Still in Tokyo’ by artist Tam Phan!
The exhibition will be up from February 9th - March 9th. The gallery is visible from the street 24/7, if you’re in the neighborhood, be sure to drop by and take a look. In the meantime, read on to find out more about Tam’s work and inspirations!
Image above: Artist Tam Phan, waring a respirator mask
About the artist:
Tam Phan is a Vietnamese-Canadian artist based in Toronto who loves working with stained glass. Her practice explores themes of nostalgia, wonder, feeling lost, and identity. Her new installation titled ‘Every Day I Wake Up and I'm Still in Tokyo’ will run from February 9th - March 9th in the Akin Vitrine, and will showcase various stained glass pieces, lite brite toys, and a gifted TTC lightbox. The installation is inspired by her trips to Vietnam and Japan.
See more work on Tam’s instagram
Tell us about your exhibition!
Tam: “Everyday I Wake Up and I'm Still in Tokyo was inspired by a trip I went on to Japan and Vietnam in 2023. I felt lost on this trip and it impacted how I viewed myself and my identity. Although unsteady, I felt comfortable with my reading and conversational skills in Vietnam, plus I had family there who made me feel mostly at home. But once I got to Japan I felt lost again, and those feelings were amplified by being physically lost in a place where I couldn't understand anything.
I decided to take lots of pictures of the shop and restaurant signs, and three were my inspiration for the stained glass collection I have in the Vitrine Gallery. Each one is colourful, vibrant, and has Kanji in it, but there's a small feeling of sadness when I look at each of them. I manipulated the colours, design and shapes but ultimately kept most of them true to the original.
Thank you to the Toronto Arts Council who generously supported this project.”
Image above: Artist Tam Phan is standing beside the Akin Vitrine Gallery and looking at it. In the gallery are many colourful pieces of stained glass artwork incluing a large piece featuring a piece of chocolate cake with red cherries on it in front of an orange and blue background.
What was your first medium and what's your favourite tool/material right now?
Tam: “Just a paper and pencil! I was also obsessed with gel pens.”
Do you have a studio routine?
Tam: “I am definitely a project-focused artist. My studio mates will not see me for months until I have a new passion project. Then you'll see me in the studio every day, cutting, grinding and foiling like a mad scientist.”
Do you have creative prompts or habits to help you get started? Any self-care tips to share?
Tam: “Just do it! Go to the studio even if you don't have everything ready. I'm always surprised by how inspiring it can be to just give yourself space in the right environment. I also divide my time at the studio with playing badminton, and I find the two (making art, play badminton) inspire and motivate each other in odd ways.”
What are some of the benefits of being in the studio for you? What brought you to Akin?
Tam: “There are so many benefits. Even though every morning is a constant battle to get out of the door, once I'm at the studio I feel my creative side break through. The community, having an alternate space for creativity, and for this specific project, every single one of my studio mates helped me from cutting to design to installation or even just a short pep talk. It was incredible and made me so emotional. Everyone wanted me to succeed.
I signed up for a space at Akin during the pandemic when I desperately needed a change of scenery and a chance to work with my hands. Being at Akin has changed my worldview in many ways.”
What are you NOT very good at? What do you WANT to be good at?
Tam: “Not good: meeting deadlines. Want to be good at: meeting deadlines!!”
Akin would like to thank Tam for your lovely exhibition and participation, we love this installation and can’t wait to see what’s coming in the future!
This project was produced with the support of the City of Toronto through Toronto Arts Council. #poweredbyTAC
New Exhibition at Akin Dupont Vitrine Gallery by artist Bernadette Peets
The Akin Dupont Vitrine Gallery is excited to announce an exhibition of works by Akin Dupont member, Bernadette Peets. Located at 1485 Dupont Street, on the second floor of the building, this miniature gallery offers a unique viewing experience to visitors in the building.
Images above: Colourful multi-media artworks by Bernadette Peets. Each piece 12”x12”. Titles in order from left to right: “Clouds”, “Crane River 4” and “Little Pond”.
About the Exhibition
In this latest exhibition, Peets invites us to explore her series of "small layered landscapes." These pieces are more than representations of physical spaces; they are windows to the emotions and sensations experienced within them. Created initially en plein air, these artworks were later transformed in her studio with the addition of striking neon plexiglass layers.
The result is these colourful pieces with depth that beckon viewers to engage with the art from various angles and perspectives, much like one would naturally experience in a real landscape. The swift, loose execution of these pieces contrasts beautifully with the deliberate layering, creating a dynamic visual experience that is both stimulating and thought-provoking.
About the Artist
”In my practise of nearly 30 years, I have been constantly searching for ways to express my thoughts, ideas and feelings sincerely and honestly. I am weary of becoming known for my ‘style’ or recurring themes as this would not reflect who I am as a person. I am constantly growing and evolving and my art reflects this as well.
Over the years I have worked with many tools, materials and methods and I have always tried to match the medium with the subject matter as a way to reinforce and strengthen the work.”
Bernadette’s foundation in drawing and painting, coupled with her extensive experience in theatre design, costume, and prop making, has equipped her with a diverse skill set. This versatility allows her to seamlessly blend various materials and techniques, from sculptural works and installations to multi-layered 2D images.
“There is often a subtle message in my work that invites the viewer to invest some time to look beneath the surface and to involve them in a participatory way.”
Visit www.bernadettepeets.com for more of Bernadette’s creative work.
Image Description: Artist Bernadette Peets in her studio working on a painting. Bernadette is holding a paintbrush up to a large canvas which has a work-in-progress painting in bright orange and blue paint. Image couretsy of www.bernadettepeets.com
About the Gallery
The Akin Dupont Vitrine Gallery is a space dedicated to showcasing the diverse talents of Akin Dupont studio members. It's a small window gallery that faces the hallway, offering a novel and accessible way for the public to engage with art. Nestled beside Ink & Water Tattoo, and just down the hall from Franz Kaka Gallery. The building is open to the public from 8am-8pm.
Artist Opportunities, Winter Edition!
Put yourself out there with these exciting opportunities and calls for submissions. To help, we’ve come up with a list of upcoming opportunities. It may be intimidating to apply, but remember, Akin is rooting for you!
Toronto Outdoor Art Fair
Call for Artists
Deadline: March 7th, 2024
Fair Date: July 12-14, 2024 at Nathan Phillips Square
Join Canada’s leading contemporary outdoor & online art fair, launching artists’ careers since 1961. This annual event has hosted many renowned Canadian artists, such as Edward Burtynsky, Barbara Astman, Joanne Tod and more at the early stages of their careers. The Toronto Outdoor Art Fair team is passionate about supporting artists and exceptional talents through awards, special programs and opportunities.
Read more and and apply here
Craft Ontario
Call for Exhibition Proposals, 2025
Deadline: May 27th, 2024
Craft Ontario is currently seeking proposals for solo and two-person exhibitions to take place in the Craft Ontario Gallery, 1106 Queen St West, in the 2025 calendar year.
More details and application here
The Fluevog Artist Grant
Deadline: March 27th, 2024
The John Fluevog Shoes Emerging Artist Grant is intended to help emerging artists develop their skills and increase the visibility of their artwork. The winner will receive $10,000 towards their artistic work, a pair of Fluevogs and a heap of recognition within the best community of shoe fans ever!
Find more details and apply here
Harbourfront Centre
Artist-in-residency in Contemporary Craft and Design
Deadline: March 8th, 2024
The Craft and Design Studio is the only career-oriented program and facility available in Canada offering an artist-in-residency in contemporary craft and design. Functioning as a training centre and incubator the Studio relies on a self-directed learning ethos, all with the goal of championing emerging Canadian artists.
For more details and application here
We hope you have a cozy and creative winter. As always, we’d like to thank our incredible community for your continued support. Good luck!
Love, Akin
Akin Davisville is here!
Located at 224 Merton St, between Yonge Street and Mt Pleasant Rd, Akin Davisville is an entire building consisting of three floors which can accommodate seventy two Shared and Dedicated studio members.
If you’re interested in membership please email info@akincollective.com and let us know what you are looking for. We can’t wait for you to see this fabulous space!
Akin Davisville is just north of Mount Pleasant Cemetery and the Beltline Trail. It’s located near Davisville Subway Station.
There are Shared Memberships available for $78/month, which includes access to shared working areas. There are 46 Dedicated Memberships in the building (i.e. your own studio), including private and semi-private options ranging from 25 square feet at $187/month to 135 square feet at $610/month. Both membership types include HST, 24/7 access, cleaning, WiFi, contents insurance, as well as use of shared shelving units, washrooms, a kitchen and communal area.
Akin Davisville is an entire building with studios in the basement, main and second floors. There are no steps to enter the building, and an elevator in the main entranceway which travels to each floor. There are two gender neutral bathrooms on each floor, one of which is wider to accommodate wheelchair access. None of the bathrooms have steps leading towards or into them. There is no free onsite parking for this building, but there is paid parking on the street right outside the building.
Priority for studio memberships will be given to folks who have been on an Akin studio waitlist for 6 months or more, as well as those who identify as a member of one or more of the Toronto Arts Council’s Equity Priority Groups (Persons of Colour, Deaf Persons, Persons with Disabilities and Persons Living with Mental Illness, Indigenous, 2SLGBTQIAP). That being said, there is plenty of space in this new studio and we will do our best to provide studio space to everyone who is interested.
We are also in the process of trying to secure other new studio locations to accommodate folks in need of studio space. Hopefully more on that to come soon.
Akin Davisville. 224 Merton St, Toronto, ON, M4S 1A1
We’re so excited to welcome you into this fantastic new space, and to further grow our incredible community!
Email info@akincollective.com to learn more about becoming a member at
Akin Davisville! Or click here to book a tour and become a member!
Made In Toronto - Highlighting Local Artists and Makers: Michelle Lee and Heidi Keyes
The words “Made In Toronto: Highlighting Local Artists and Makers” on a black banner at bottom and two cropped details of the two artists work in this blog post.
Welcome to the final edition of Akin’s Winter Makers Highlight series! If you still have anyone left on your holiday shopping list, then look no further - we’ve got you covered. We’re excited to introduce you to Akin Dupont member Michelle Lee and Akin Yonge-St Clair member Heidi Keyes. They’ve got lots of exciting goodies available for purchase online and in person. Read on to find out more!
Michelle Lee
Michelle Lee is a Toronto-based visual artist creating works that are small and light enough to carry with you under any circumstance! Humorously, she conceptualized 'pocket works for the apocalypse', an ongoing series of paintings on hand built ceramics. The images she creates are dreamlike interpretations of places and people; each alludes to a bigger story, while exploring subtle moments of relation and transformation. The handheld size and wearable form offers a tangible connection to the body. Michelle’s studio practice is balanced by her work leading art and nature based programs at Holland Bloorview Kids Rehabilitation Hospital. She received her BFA from OCAD University, and has exhibited in Ontario. Stay tuned for her participation in local art markets!
An image of Michelle Lee at a craft market. Michelle has brown hair with bangs, with a pink-blonde streak. She is wearing a pair of her handmade ceramic earrings. She wears a blue button down shirt and jeans. She’s standing, with one hand leaning on the table where her ceramics are displayed. There are small ceramic earrings, pendants and little blue pots.
“My current process has really grown out of the desire to work with my hands in a slow and contemplative way. I’m interested in creating work that can be held and touched; that can become a part of the person who owns it. I’ve found small-scale work can invite this level of intimacy. There’s a need to approach them closely, with intention and care to really get a sense of their story. By having the pieces wearable, my work aims to connect this concept even further, having the art move with you, wherever you may go :)
Each clay piece is hand built and intricately painted with underglazes using the tiniest brushes I can find. My go-to size for detail is ‘0000’, though I’m always on the lookout for a finer brush! All the pieces are then fired with a glossy clear glaze on top, and finished with either a chain to turn the work into a necklace or stainless steel hooks for a pair of earrings.
An image of a table, containing various vials of different coloured paint, and Michelle Lee’s hand holding a fine paintbrush. She’s working on two ceramic pendants, both identical, a blue, airy scene with the black outline of a person, with hair blowing in the wind, layered on top.
My inspiration for the imagery initially comes from places that I’ve visited; often while out walking in nature or exploring new locations. From there, I’ll take reference photos to revisit when I'm back at my desk. Through drawing, I begin to reimagine and “deconstruct” the scene captured. I’ll pull forward certain formal elements that have caught my eye and I want to emphasize, while playing with colour and abstraction to shift the feel and composition. I like to leave hints and traces of the original subject matter, yet ultimately depict a new space open to interpretation, and where others can find their own personal connection.”
Check out Michelle’s work on her online shop www.pocketworksfortheapocalypse.com or on instagram @mieve_lee
An image of Michelle Lee’s ceramic necklace called ‘Sisters” The pendant is crescent moon shaped with a chain attached on both ends. The pendant is painted with a series of lines reminiscent of a horison, with two shapes side by side, their shadows outlined with a dotted line.
Heidi Keyes
Heidi is a mixed media artist residing in Toronto. She is from the Kingston area of Ontario and is part Nordic. Her practice seeks to uncover spiritual truths, which will help in creating what she has called "The Earth Idyllic". One of her influences is Swedish artist Hilma af Klint. Heidi believes that by continuously focusing on intelligent insights, wisdom and solutions and positive thoughts that we can realize a successful transition to a new Earth Idyllic.
An image of two paintings mounted on a wall in a living room. The painting are by Heidi Keyes. They are abstract paintings, in pinks, blues and reds. The room holds a long blue velvet couch, a circular coffee table with a vase, and some large books on the floor.
“Most of my works are acrylic on canvas with various acrylic mediums. I do some works on paper. I am using a special pallet which resembles pastels and is intended to create a feeling of warmth and a frequency vibration of love. They are generated through layers of underpainting and a layering paint, the end result is a very glowy work. Spiritual truths arise during the painting process. Each piece deals with a separate aspect of human existence and provides some direction and guidance as to how we could improve.”
An image of an artwork on the wall of a home. The painting is done by Heidi Keyes, an abstract work in pinks, purples and blues. In the room is a modern style table, lamp, and stool.
You can see Heidi’s work in an upcoming exhibition at Mit-Far Cafe at 1098 Yonge Street, at Roxborough.The exhibition runs till January 20th, 2024. @mitfarcafe.
See more of Heidi’s work on her instagram @heidi.e.keyes
Thanks so much to Heidi and Michelle for their participation! And thank you to our beautiful community of art makers and art lovers, for your support of local artists! We encourage you to shop locally and support artists with your purchases all year long!
Looking for more ways to shop locally this winter? Check out Akin’s Winter Art Map, a virtual guide connecting shoppers with local artists, stores and craft markets happening this winter.
We acknowledge the support of the Canada Council for the Arts
#BringingTheArtsToLife @Canada.Council
Made In Toronto - Highlighting Local Artists and Makers: Janet Hinkle, Heather Stewart, and Shayla Bond
The words “Made In Toronto: Highlighting Local Artists and Makers” on a black banner at bottom and three cropped details of the thee artists work in this blog post.
As we continue to highlight some of Akin’s finest artists and makers this winter season, we’re excited to bring you some toasty warm talent! Akin studio members Janet Hinkle, Heather Stewart, and Shayla Bond have gorgeous original, handmade work available this season for purchase online or in person, read on for more details.
Janet Hinkle
Akin Yonge-St Clair member Janet Hinkle is an interdisciplinary artist with a practice rooted in both contemporary fine art and craft. With a fondness for mixing juxtaposing materials and a practice rooted in shared histories, she is driven to explore concepts involving identity. Pulling inspiration from both mid-century forms and futuristic design, her work manifests as installation, sculpture, gatherings, time-based media, and both human-food and human-flora interaction. She is also one third of studio.docx, a creative team that presents innovative contemporary art in public spaces to create unique community experiences. In addition to her creative practice, Janet Hinkle coordinates and curates art projects and artist capacity-building programs.
Needle Study. A photograph of a textile by Janet Hinkle, Needle Study, in a gallery. The textile is a series of cyanotype fabric with impressions of various leaves, branches and needles. These blue squares of fabric are woven together with a lighter blue-grey fabric, hung on the wall and drapes down onto the hardwood of the gallery’s hardwood floor. Photo: June Cheng
“This winter I am eager to explore the human-flora ecologies present in many major cities, both harmonious and dissonant. Being based in a location that is witness to dormant and dead plant life for half of the year, I am interested in working with local plants in their over-wintering forms to create new projects and programs.”
Find more of Janet’s work on her instagram @_janethinkle_
Catch Janet’s work in these December and January events:
• Château d'Orquevaux Artists & Writers Residency
this December 2023
• Exhibition: Perennial Darkness, Auroral Cultural Centre,
December 2, 2023 - January 27, 2024
• Window Installation: Shifting Grounds, DesignTO Festival,
January 19-28, 2024
• Exhibition: Château, Queen Elizabeth Park Community and Cultural Centre
Corridor Galleries, January 27 - May 3, 2024
Storm Cloud. An installation inside a gallery of Janet Hinkle’s work. The white wall contains pinkish-brown foliage attached to the wall asymmetrically, surrounding an abstract image of pinks, yellows and whites. In front of the wall is a white table holding three small sculptures. Photo: June Cheng
Heather Stewart
Heather's artistic journey has been diverse, with studies at OCADU, NSCAD, The Academy for Realist Art, Avenue Road Art School, and a comprehensive three-year adult art program at Central Technical School.
Proficient in various mediums, including acrylic, printmaking, silk screen, and sculpture, Heather finds her artistic comfort zone in the simplicity of a pencil and the nuanced tones of watercolor. Her artwork aims to forge connections, ranging from the overt to the subtly nuanced, inviting viewers to explore the depth of emotion and expression.
A painting by Heather Stewart called Cottage Life. Rows of small cottage near the shoreline. The still blue water in the foreground reflect the cottages and sky, which is gray and blue.
Residing and working in Toronto, Heather is an active member of Akin and The Don Valley Art Club, enriching her work with diverse perspectives and inspiration.
Find Heather’s work on her Etsy page, ArtbyHeatherStewart
Also check out Heather’s work at an exhibition on now at the Women’s Art Association
“My work is often inspired by my travels. I guide kayak trips in Georgian Bay all summer and love traveling to out of the way places. When I return to the studio I use these images as inspiration to capture the vibrancy and beauty of the places that I have been.”
“I love creating paintings that vibrate with colour and create a feeling of space. I practice in watercolour and ink on paper as well as acrylic on canvas and wood panel. Most of my inspiration comes from my love of travel (and the fact that photos just can't capture the mood that I experience while traveling!)”
A painting by Heather Stewart called Long Drop, a small white house with a red roof sits on top of a tall cliff. The sky is a vibrant golden yellow-orange. On the bottom of the cliff is a beach with a white fence, surrounded by water.
Shayla Bond
Shayla Bond is a Toronto-based process artist recognized for her interesting use of sewn fabrics, quilting and weaving techniques. Her work explores themes of perfectionism, control, and obsession, communicated through colour, precision, and repetition.
A believer in the intimate tradition of crafting her own materials, she also experiments with oil mixing using natural pigments along with paper making. By presenting kindred compositions across diverse mediums, she invites viewers to explore the distinct qualities of each to deepen appreciation of craft.
At the heart of her practice lies a dedication to closing the gap between historic and contemporary making. The old crafts are preserved in her body of work where the echoes of the past harmonize with the cadence of the present.
Framework for feeling. An image of one of Shayla Bond’s textiles, mounted inside a thin wooden frame on a white wall, this fabric is filled with small squares of white interspersed with various coloured squares, mostly in reds, purples and oranges.
“Primarily textile based, I use fabric and thread to create intricately sewn panels based on computer-generated compositions. My aim with these pieces is to cross pollinate quilting with conventional stretched art, to move the quilt from the floor to wall while mastering precision and control over the materials.
I am also the proud owner of ESBE, an artisanal quilt brand where art meets utility through a modern perspective. Embracing traditional techniques, every quilt is meticulously handcrafted by myself, and is both flawlessly detailed and uniquely imperfect.”
Shaya’s work can be purchased on her Etsy store FurnAlleyGifts or through her artisanal quilt brand ESBE at esbestudio.com
Briar quilt fields. An image of one of Shayla Bond’s quilts, blue and white divided into four asymmetrical sections, placed in a field of trees and wildflowers. In the foreground are yellow goldenrod, and lush green foliage all around.
A huge thank you to Janet, Heather and Shayla for participating, we are your biggest fans! We’ll be bringing you more artist highlights in the coming days, so stay tuned!
Looking for more ways to shop locally this winter? Check out Akin’s Winter Art Map, a virtual guide connecting shoppers with local artists, stores and craft markets happening this winter.
We acknowledge the support of the Canada Council for the Arts
#BringingTheArtsToLife @Canada.Council
Made In Toronto - Highlighting Local Artists and Makers: Vera Ka-Bo Tse, Mark Buck, and Ellis Ricketts
The words “Made In Toronto: Highlighting Local Artists and Makers” on a black banner at bottom and three cropped details of the thee artists work in this blog post.
As winter approaches, it's the perfect time to celebrate the craftsmanship of Akin’s fantastic artists and makers. Whether you're on the lookout for unique gifts or something to bring warmth to your own home with one-of-a-kind pieces, we’re proud to bring you some of our studio Member's fantastic talents. Read on to find out more about the work artist Vera Ka-Bo Tse, painter Mark Buck, and illustrator Ellis Ricketts have available this season!
Vera Ka-Bo Tse
Akin Yonge-St Clair Member Vera Ka-Bo Tse is a Canadian artist who was born in Hong Kong whose work attempts to create an imaginary world which acts as a reminder of one’s origins and natural place of birth which poses questions about our existence and memory of where we came from. The objects represent a state of meditation to connect humans to their origins and earth with principles of wellness and sustainability to remind us that we all come from the same beginning and share commonality in birth, life and death like water flows. Vera Ka-Bo Tse creates work in a meditative state in which she recalls her birth origins in Hong Kong. Her memories are translated into a narrative mythology with iconography and shapes inspired by the Canadian landscape and my internal expression of a calm meditative shapes.
A close up of an arrangement of prints by Vera Ka-Bo Tse on a table with a white tablecloth. The prints are of abstract paintings printed and lined by white mattes arranged in three rows. On the right side, there’s a information poster, with the title “sustainable market art + design. At the edge of the arrangement are small prints with the S’MAD logo on them.
Vera Ka-Bo Tse’s work explores the intersection of art and contemporary design combining techniques of traditional craft using materials like ceramics and metal and paint which create a dialogue that challenges traditional notions of craft and design, beauty, materiality by juxtaposing different media which are like yin and yang to create tension of expression. She coined the artist manifesto Mosaicismal-ism. Mosaicism is the genetic act of combining two or more different genes that produce a mutation that is a hybrid of evolution. Mutations are changes in the DNA sequence involving small parts or fragments of genes that recombine to form new combinations with new functions. Design and Art can be sub-divided into sub-categories that are from various sub-divisions of training and education that can be combined into infinite combinations of mutations deriving from the original pure disciplines to create something new that could not have existed before.
Find more of Vera’s work on instagram @smad.artdesign and on her website www.mosaicismalism.com
Am image of Vera Ka-Bo Tse’s sculptures arranges on a table. Large blue-green sculptures are spread around the table with smaller gold sculptures. The table is covered with a blue tablecloth.
Vera Ka-Bo Tse’s work can be found at the S’mad Holiday Market held at Malvern Town Centre December 9th, 31 Tapscott Rd., Scarborough, from 11am to 5pm. Be sure to check out this event hosted by Councillor Jamaal Myers – City of Toronto, where Vera is organizing a Q & A with one of the original members of the Guild Inn History - Guild Inn Estate to discuss the history of art and craft in Scarborough and the connection to Cedar Ridge Creative Centre to connect the past to the future.
For more information visit @smad.artdesign
An image of Vera Ka-Bo Tse’s table at an outdoor art fair in summer. A table displayed with prints of abstract painting in oranges, greens and blues, and an arrangement of ceramics, yellow and green sculptures.
Ellis Ricketts
Akin Dupont Member Ellis Ricketts is a painter, illustrator, and mixed media artist who lives and works in Toronto as a concept and graphic artist in the film industry. He's a graduate of Humber College for 3D Animation and sometimes uses 3D arts in creating creative environments and textures. Every chance he has, he puts towards creating art for work and entertainment.
An image of Ellis Rickett’s standing beside his painting with this hands folded together. He wears a black and white printed baseball cap, wears circular rimmed glasses and a black, white and red printed shirt. His painting, propped on a table, is a lush, psychedelic looking gardenscape, primarily in green with flowers in purple, red and orange.
Ellis Rickett’s painting Legacy Warrior, two antique war helmets reminiscent of the Trojan era, well worn and slashed, sit amidst a background of red, blue and yellow abstraction.
Ellis Ricketts' main media is traditional pen and ink, or digital illustration but is pursuing a career in painting larger scale pieces. Currently, he is dabbling with acrylics on canvas and wood but is still experimenting with different materials like metals and plastics.
View Ellis’ work on his Instagram @paperscarifications and his work can be purchased on his website: www.ellisricketts.com/shop
Ellis Rickett’s ink drawing on natural textured paper of an army tank with heads of cars, guns and army equipment piled on top of it.
Mark Buck
Akin Dupont Member Mark Buck is a Toronto born artist who has been involved in the art business for over 40 years. After managing two Toronto art galleries he taught secondary high school students visual art, Photoshop, and photography for 19 years. Mark has been a member of Akin Dupont since 2016. His premiere exhibition was held at Youngplace Artscape from June 4- 16 2018. Mark's multilayered 3D kinetic acrylic paintings called "Mondragams" were featured at the 61st Toronto Outdoor Art Fair from July 10-17 2022. Mark’s acrylic paintings, Mondragams and Mixed Media
Mondragam #4. An image of Mark Buck’s work, Mondragam #4 Colour Wave #1. A bright work with 3D squares of various depths arranged in a symmetrical way. The squares are primarily red, yellow, green, brown and blue
Lost Ankh. Mark Buck’s work, Lost Ankh. A collage of texture and shape, including letters, mountains, an eye, and various textures and prints arranged in squares to appear woven together
Paperworks are being offered at 50% OFF during his annual Winter Sale (until December 31 2023). Studio visits are by appointment only. No obligation in-home or business visits within the Toronto (GTA) area are welcome.
Mark's ARTALOG (Art Catalog) pays homage to his/Canada's first digital art gallery. His artwork is three-dimension. It is sculptural. Mark combines his love of art, culture and teaching by featuring the Bauhaus Colour and Shape Design in his artwork. Mark's acrylic paintings sometimes represent his favourite artists such as : Agam, Haring, Lichtenstein, Mondrian, and Picasso.
Mark’s work can be purchased on his website www.markbuck.art
Check out Mark’s BLOG on “How To Buy Artwork”
Hey! Who Ya Lookin’ At? An image of artist Mark Buck’s collage, Hey! Who Ya Lookin’ At? Three collaged figures are in the image, on the left hand side, a the figure has blonde hair, one eye and lips. In the middle, a figure wears a hair, and a button down shirt, suit jacket and tie. The third figure, on the right side of the picture has voluptuous blonde hair and white and blue spotted skin. A speech bubble above their head reads “Hey! Who Ya Lookin’ At?”
A huge thank you to Vera, Ellis and Mark for participation. Stay tuned for more maker highlights coming to you throughout the month.
Looking for more ways to shop locally this winter? Check out Akin’s Winter Art Map, a virtual guide connecting shoppers with local artists, stores and craft markets happening this winter.
We acknowledge the support of the Canada Council for the Arts
#BringingTheArtsToLife @Canada.Council
Request for Proposals. 2024 Waterfront Toronto, Temporary Floating Public Art.
Waterfront Toronto is seeking to commission a professional artist or artist team to create a temporary floating artwork for Harbour Square Park Basin. Artists are asked to submit proposals for installation during summer 2024. The artwork will activate the basin by engaging with the local community and visitors to the waterfront. This RFP is open to all interested artists and artist teams in Canada with relevant experience and expertise as practicing professional artists. Waterfront Toronto strongly encourages that artists use local subcontractors.
Harbour Square Park is located on the shore of Lake Ontario, one of the five Great Lakes of North America. Containing one-fifth of all surface freshwater on Earth, the lakes are a vital source of drinking water and food. Throughout history these interconnected bodies of water have been critically important for trade, human settlement and migration. They are sacred to Indigenous Peoples, who have inhabited the shores and fished in their waters since time immemorial. The lakes’ unique ecosystems are host to a diverse array of plants and animals, and their shores and waters provide recreation for millions of people.
Happy Castaways, 2022, Demers-Mesnard. Photo by Nicola Betts.
Today, water pollution, climate change, over-extraction, invasive species, and wetland loss are all taking a toll on their watersheds. Water scarcity, often perpetuated by climate change, is one of the most pressing global challenges today, particularly in its relationship to migration. It is imperative we remain engaged with the importance of these waters and with the challenges they face.
With this context in mind, artists are asked to develop work that explores water as a connector. They should consider the history and importance of these waterways and their role as geographical, ecological, political, economic, social, and spiritual connectors. In keeping with sustainable practices, Waterfront Toronto encourages ready-made artwork submitted as a proposal.
Waterfront Toronto intends to identify one successful Artist or artist-led team to undertake this project, according to the specifications described below.
The Peacemaker's Canoe, 2021, Jay Havens.
Photo by Celene Tang.
Submission Requirements
For consideration, artists and artist-led groups are invited to include in their submission:
Maximum two-page Artist Statement describing the artwork, how the public will interact with the artwork, installation method, as well as all relevant dimensions, anticipated weight, and materials.
Up to 8 digital images of the proposed artwork(s).
Proposed budget breakdown and schedule.
Up to 5 images of previous and relevant work.
Artist CV. For artist teams, one CV for each team member.
Three references.
Please refer to the complete submission requirements at Waterfront Toronto: www.waterfrontoronto.ca
SOS Safety Orange Swimmers, 2019, Ann Hirsch and Jeremy Angier A+J Art+Design. Photo by Nicola Betts
Budget
The total commissioning budget for this project is $80,000 +HST.
This fee includes all expenses related, but not limited to, Artist fees, preparation and submission of drawings and renderings, coordination and technical consultations including engineering approval or other expertise as required, permits, preparation of installation documents, anchoring plan, meetings and site visits, travel, insurance as required by Waterfront Toronto ($5M liability insurance is required for water installation), rental of studio and storage space, materials, shipping, delivery to site, signage, installation and removal, maintenance manual and artist statement for completed work.
Project Timeline
October 26, 2023 – RFP Issued
December 11, 2023 – Deadline for Questions
December 18, 2023 by 2pm EST –
Deadline for Submission of ProposalsJanuary 2024 - Artist Selection
February 2024 – Artist Contract Issued
February to June 2024 – Design & Fabrication
Early July 2024 – Installation
Mid to late September 2024 – Artwork De-Install
Please direct all enquiries regarding this RFP to: publicart@waterfrontoronto.ca, and include Floating Art 2024 in your email.
The information presented here includes only the basic terms of this Request for Proposals. Please read in full the Waterfront Toronto Call for Proposals document which contains complete instructions, evaluation criteria, submission requirements, site details and technical requirements, and terms and conditions.
Submission Deadline: December 18, 2023 by 2:00pm EST
Introducing the Akin Winter Art Map!
To add some warmth to these frosty months, we want to encourage you to shop local and support the arts! Akin has created the Akin Winter Art Map, a guide connecting shoppers to local artists, makers, shops and craft markets.
We reached out to our studio members to see what they’re making, and where they’re shopping this winter, and the Akin Winter Art Map is the result!
You can scroll through the map to view lists of local artists with goodies available for purchase this winter season. Shopping on a budget? No problem, we’ve highlighted goods from every price range. We’ve also highlighted some fantastic local shops which sell handmade gifts, and upcoming craft markets that are not to be missed!
Supporting local artists and makers has never been so important, and this winter season, we’re bringing it all to you! Click here to view the Akin map and stay tuned throughout the month of December as we highlight more fantastic Akin makers and their wonderful creative work.
A huge thank you to all the Akin members who contributed to the building of this map, and to all our fantastic community members. We wish you a safe, cozy and creative winter!
Want to celebrate in-person?
Akin will be hosting a 15th Anniversary drop-in celebration at Akin’s Remote Gallery on Tuesday December 5 from 4-8pm for an evening filled with Akin memorabilia and nostalgia.
You can help Akin Projects continue to support arts in Toronto for another fifteen years! You can donate to Akin Projects here. Your contributions directly impact artists in ways that are meaningful to arts and culture in our city, as well as to the communities in which we work. We can’t thank you enough for your support.
We acknowledge the support of the Canada Council for the Arts
#BringingTheArtsToLife @Canada.Council
Leslie Grove Gallery - Open Call for 2024 Rental Proposals – EXTENDED!
Leslie Grove Gallery
Open Call for 2024 Rental Proposals – EXTENDED!
SUNDAY, DECEMBER 10, 2023, 11:59 PM (EST)
Are you a freelance art curator with an idea but no gallery?
Are you part of the LGBTQ2S+ or BIPOC arts community with a story to share?
Are you an emerging or established artist looking to launch a solo show?
Are you part of an artists group of two or more seeking a gallery?
The Artists’ Network is welcoming exhibition proposals from the visual arts community, curators, artists, collectives, working across a wide range of mediums to exhibit in its Leslie Grove Gallery during 2024.
The Artists’ Network is particularly interested in engaging proposals from diverse creative communities to share their respective voices. We also encourage proposals that challenge the visual arts’ definition and boundaries, whether socially or aesthetically. Besides a gallery exhibition, submissions can include an artist’s talk, art demonstration, community participation event.
Leslie Grove Gallery is located in the vibrant neighbourhood of Leslieville – just is steps away from other art galleries, boutiques, restaurants and cafes that draw many visitors to the area, especially on weekends. We offer over 70 linear feet of hanging space plus 12 linear feet on a moveable display module that allows you to customize your exhibit. With a total of 635 square feet of space, the Leslie Grove Gallery is the perfect venue for hosting your next solo or group show. Our marketing team will extensively promote your exhibition.
Leslie Grove Gallery
1158 Queen St. East, Toronto, ON, M4M 1L2, 416-465-0302
Join The Artists’ Network and Become a Member!
The Artists’ Network is committed to providing our member artists community skills and show opportunities that will help them build their business. The benefits of being a part of a vibrant community like the Artists’ Network cannot be over estimated.
Advance your art career today - some benefits include:
Education in the Business of Art. Learn topics such as the correct way to write the story of your art, digital marketing of art, photographing your art, applying for grants, creating a brand that speaks to your collectors.
Discounted submission fees for Riverdale ArtWalk and ArtWalk in the Square.
Seminars in working with galleries, showing internationally, and shipping.
Workshops in learning how to brand your digital marketing as well as paid Ad strategies.
Be part of a Community and networking events that provides support, connections and guidance for artists who are learning and establishing and maintaining themselves as professional artists.
For more information, contact: info@artistsnetwork.ca