Get to know SKETCH Working Arts!

SKETCH Working Arts is an artist studio and event space located in the vibrant Trinity Bellwoods neighborhood. Studios are available for rent for personal artistic production, workshops and private events from 9am-9pm, 7 days a week. Home to a music studio, audio production lab, movement studio, ceramics studio and kiln, an industrial kitchen and two dynamic studio spaces, everyone is welcome to join the SKETCH community in art making at the historic Youngplace building at 180 Shaw St.

SKETCH runs free arts programs for aspiring and emerging creatives 18-35yrs, who are navigating poverty Studios are accessible to mobility devices via a ramp and elevator. 

SKETCH has sliding scale rental fees and offers lower prices for individual artists and higher prices for for-profit organizations. Please see sketch.ca/rent for individual pricing options.

Booking inquiries, tour requests and questions can be sent to spaceshare@sketch.ca

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Rent SKETCH Studios!

Pottery Studio & Kiln

This cozy ceramics studio is fully equipped for professional ceramics workshops, or for an individual or small collective to hand build or throw on the wheel. Stop lugging your ceramics around and benefit from our in-house technician and onsite kiln for your bisque and glaze firing needs.

EQUIPMENT: Large kiln, 3 wheels, extruder, slab roller, various hand tools, boards, glazes, table and stools.

STUDIO SIZE: 480 Sq Ft

KILN SPECS: Shelves are 13 x 26 inches, with 12 shelves in the kiln. Cone 6 firing for glazes and clays. Requests for firings lower than Cone 6 or luster firing are also available. 

CAPACITY: 6

To rent and for more details visit: www.sketch.ca/rent/pottery-studio/

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Music Studio: Rehearsal Space & Control Booth

Available separately for music lessons or brand practice, mixing and mastering, or paired for live recording. Fully soundproofed, the Music Studio is the perfect set-up for music rehearsal, recording music, podcasts and soundbites. Bring your own or enjoy the shared instruments. The Control booth is also available separately for post-production needs.

CONTROL BOOTH EQUIPMENT: Mac computer, fully outfitted prosumer sound board with Apollo, Ableton, and accompanying recording gear.

REHEARSAL SPACE EQUIPMENT: Drum kit, multiple acoustic guitars, electric guitar and bass, Various amps and cords, cajón drum, microphones and talk-back system connected to control booth.

SIZE: 315 Sq Ft

CAPACITY: 8 rehearsal space; 3 control booth

To rent and for more details visit: www.sketch.ca/rent/music-studio/

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Movement Studio

This beautiful studio has large west facing windows providing ethereal natural light throughout the day. The custom springboard floor provides a warm and comfortable surface for all movement activities. Perfect for wellness courses, dance or theater rehearsal, regular group dance classes, or expressive music or movement classes for children.

EQUIPMENT: Speakers, mobile benches, mirror wall, and 2 barres.

SIZE: 900 Sq Ft

CAPACITY: 20 in motion

To rent and for more details visit: www.sketch.ca/rent/movement-studio/

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SKETCH Working Arts is a non-profit community arts organization that runs free arts programs for aspiring and emerging creatives 18-35 years old who are navigating poverty and precarity due to systemic oppression with a focus on those who identify as 2SLGBTQIA+, Black, Indigenous, and other racialized young people. Through free arts based programs, wrap-around services and access to studio space, young people can experience the transformative power of the arts; build leadership and sustainable livelihood in the arts; and cultivate social and environmental change through the arts.

Stay tuned to find out what courses will be offered in the Fall by visiting sketch.ca or following  @sketchtoronto.

For more details, visit: www.sketch.ca/programs/what-we-offer/

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SKETCH Working Arts, 180 Shaw St

 

Get to know Remote Gallery! Open House July 17, 5-8pm

Join us at Remote Gallery on Wednesday July 17, located at 568 Richmond Street West, from 5 to 8pm for an Open House event. During this event, artists and creative folks interested in learning more about the space can meet Remote Gallery’s Manager, Renato Baldin and learn about the potential of the space, discuss tips for setting up exhibitions, available dates, and how to bring your ideas to life.

Remote Gallery Manager, Renato Baldin

Remote Gallery is Akin’s dedicated exhibition and programming space. It provides opportunities for artists and members of the public to rent financially-accessible space for various types of programming. 

Our versatile venue is open for single or multi-day rentals, accommodating workshops, presentations, meetings, community events, exhibitions, performances and various artistic programs. We are currently offering a 15% discount on bookings for rental dates from now until the end of August 2024.

Students and 2024 graduates of the following institutions are eligible for a 20% discount on bookings for rental dates from now until the end of August 2024: Academy of Realist Art, Centennial College, George Brown College, Humber College, OCADU, Seneca College, Sheridan College, Toronto School of Art, Toronto Metropolitan University, University of Toronto and York University.

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Please join us for the Open House event on July 17th and share with artists who might be interested.

No registration necessary, drop-ins welcome. See you there!

In the meantime - check out www.akincollective.com/remote for gallery details.

Click here for all Remote Gallery Accessibility information

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Remote Gallery, 568 Richmond Street West

 

Artist Opportunities - Summer 2024 Edition

Happy Summer! We’ve curated a list of exciting upcoming opportunities for you to display your talents. Remember, Akin is cheering for you!

Artist Project

Deadline: Sunday, October 20, 2024

The Artist Project is dedicated to supporting the development of students, new graduates and self-taught artists by offering free exhibition space at the show in the Untapped section. This application is open to first-time exhibitors at Artist Project. Apply today to enter this juried competition for an opportunity to participate.Applications are now open!

Read more and apply here

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Tangled Art Gallery

Deadline: Friday, August 9, 2024

Tangled Art + Disability is now accepting applications to exhibit your artwork at Tangled Art Gallery. We invite submissions from Deaf, Mad, and Disability-identified artists and curators, as well as arts organizations and other cultural producers who practice Disability Arts and Curation. There are two different spaces you can apply to show your work: the main gallery space or the window vitrines.

Read more and apply here

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StreetARToronto Partnership Program

Deadline: Wednesday, August 21

StreetARToronto (StART) comprises a suite of innovative programs specifically designed for streets and public spaces. StART programs encourage active transportation (walking and cycling), make our streets more inviting and safe, reduce overall infrastructure maintenance costs, showcase local artists, mentor emerging talent, and create opportunities for positive engagement among residents, business owners and operators, artists, and arts organizations. Individually and collectively StART murals are designed to celebrate the City of Toronto motto "Diversity Our Strength" and foster a greater sense of belonging among all. Mural by @leylandadams

Read more and apply here

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Emerging Artists Over 30

Deadline: Tuesday, July 16, 2024

Arts Etobicoke is pleased to announce an open call for submissions for emerging artists over 30 years old based in West Toronto. This initiative aims to provide a platform for mature new artists to launch their artistic careers and showcase their work. This curated exhibition will challenge the common narrative that emerging artists must be under this age and seeks to address the gap by offering a space for artists who may have started thier artistic journey later in life.

Read more and apply here

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Indigenous Youth Roots Community Grants

Deadline: Wednesday, July 31

Grassroot youth groups/collectives (comprised of Indigenous youth ages 15-29) are eligible to apply for funding to support community programs and projects while receiving innovative mentorship, training and capacity-building opportunities. Funding will be provided to projects/groups that seek to create impactful community change and increase the wellness, resiliency and engagement of Indigenous youth.

Read more and apply here

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The Residency Project

Deadline: Tuesday August 20

The Residency Project (TRP) provides time and space in support of creative research and artistic experimentation,  with an emphasis on creating opportunities for historically underrepresented artists—women, BIPOC and LGBTQ+ artists, artists with disabilities, and parents—as well as artists who actively pursue environmentally sustainable practices. Open Call for applications for 3-week funded residencies in winter/spring 2025 at TRP @ 880 in Pasadena, CA. Individual artists and partnered artists are welcome to apply!

Read more and apply here

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Toronto Queer Film Festival 2025 Symposium Call for Proposals

Deadline: Monday, Sept 9, 2024

An in-person and online symposium organized by the Toronto Queer Film Festival. Everyone is welcome to apply. This is a paid opportunity for all involved if selected. The Toronto Queer Film Festival is seeking proposals for its annual Symposium around the theme of Collective Resistance. Today as we witness various forms of violence and dispossession, apartheid, the destruction of ecosystems and the war on poor and disabled people, to name a few, we, as queer and trans people, ask how we can come together to respond and resist.

Read more and apply here

On now! Robin Muccari at the Akin Vitrine Gallery

The Akin Vitrine Gallery is so excited to welcome a brand new exhibition, “Untitled” by Robin Muccari, an artist who works out of the Akin St Clair studios. The gallery is visible from the street, so swing by to check out Robin’s fantastic work any time, 24/7! 

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When: June 24th - August 31, 2024

Where: Akin Vitrine Gallery, 1747 St Clair Ave W

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Robin Muccari is an artist, illustrator, and designer located in Toronto, Ontario. His art ranges from analog to digital in collage, illustration, and animation. His three-dimensional analog collage artwork, "Untitled", was created in 2024 and will be on display in Akin Vitrine Gallery starting June 24th, 2024. The piece displays a static form of animated motion. Hands and objects rise from the bottom up, with light blue paths representing the direction and flow and energy.

We caught up with Robin to find out more about his inspiration, life, and work. 

Akin: What are you curious about right now?

RM: “I'm very interested in creating mechanical collages. Having seen interactive art in the past and watching mechanical objects in YouTube videos is inspiring.”

Akin: What was your first medium and what's your favourite tool/material right now? 

RM: “I grew up frequently drawing with whatever I had: crayons, No. 2 pencils, Berol colored pencils, ballpoint pens, and colored markers. Now, I am completely focused on analog collages using X-acto knives, glue, wires, wire cutters, pliers, and a saw.”

Akin: Do you have a studio routine ie: Are you a daily ritual person or are you project-focused in spurts?  

RM: “I try to make it to the studio as much as I can but it's usually 2 or 3 times a week, in the evening after work. It's mostly focused on more than one project at a time. There are some times when I look through boxes of magazines for images that work with my thoughts or I improvise based on what I find.”

Akin: Do you have creative prompts or habits to help you get started? 

RM: “Music and music videos. I go through phases and repeatedly listen to the same songs or albums because they give me motivation and help me think creatively. I also watch music videos on YouTube—generally from the 80s and 90s—for the same reason. I'm not sure why but outdated effects in them influence me.”

Akin: Is there an artist you'd like to go back in time to meet? What would you ask them about?

RM: “German Expressionists (George Grosz, Otto Dix, Hannah Höch, and many filmmakers) have been a major inspiration since I was a kid. I'd ask them about their inspirations, how they came up with their styles, and the Weimar Republic era in general.”

Akin: What are some of the benefits of being in the studio for you? What brought you to Akin?

RM: “It's really nice to have studio space because I'm able to leave home and focus on my work instead of being distracted by two cats. It's also great to chat with the other artists near me who work in mediums different from me. I looked for studio spaces on Google and Akin had a lot of locations and spaces at an affordable cost. I'm really glad I ended up at the St. Clair location because it reminds me of the studio spaces in the arts college I went to.”

Akin: What are you NOT very good at? What do you WANT to be good at? 

RM: “I'm TERRIBLE at applying glaze to clay sculptures. They never turn out as I hoped. I have really enjoyed sculpting in the past so, at some point, I'm sure I'll try to get better.”

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Learn more about Robin’s work: 

@oldman_muccari 

remuccari.com

Kolaj Magazine

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Akin Vitrine Gallery, 1747 St Clair Ave W

 

Call for Proposals: Beyond the Tarmac at Downsview Airport Lands, Toronto

Calling makers, planners and creatives that think BIG.

Northcrest Developments @northcrestdev invites proposals for a high-impact festival, performance, installation, or activation on 600 metres of taxiway on the Downsview Airport Lands. The site is a blank canvas ready to be infused with creativity.

The proposed projects must be experienced or viewed from the Interim Activation Zone. They must be experienced from the outdoor areas, however, proposals can include the exterior of hangar buildings. Projects can utilize as much or as little of the Interim Activation Zone as they require. This total maximum space represents up to 290,000 square feet, which can support up to 50,000 people.

This is a two-stage process. In Stage One, a panel of seven local and city-wide arts and culture experts will review the submissions and select a shortlist of up to ten applications. In Stage Two, a shortlist of applicants will be invited to more fully develop their proposals and attend an interview. Shortlisted applicants will be given a $500 honorarium to prepare for and attend the interview.

Check out whats going on at Downsview Airport Lands here: www.northcrestdev.ca/whats-on

• Project Budget: $100,000

• Deadline: Thursday, June 20, 2024

To view all details and to apply: https://www.northcrestdev.ca/news-and-insights/beyond-the-tarmac

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Downsview Airport Lands

 

 www.northcrestdev.ca

Introducing Ceramics Kiln Firing Services at Akin St Clair!

Are you a ceramics enthusiast looking for reliable kiln firing services in Toronto? Look no further! Akin St Clair (1747 St Clair Ave W) is excited to announce the launch of ceramics kiln firing services for glass and ceramic artists.

This privately run kiln, operated by skilled technician and long-time Akin Member Liliana, is now available to fire your creative pieces. The kiln is available to fire work for non-Akin members however, there may be longer wait times as Akin Members are prioritized.

The kiln is privately owned and operated by the kiln technician. Akin does not guarantee kiln firing availability, timing, or pricing. Kiln firing services are not included as a part of Akin Membership fees.

KILN SPECIFICATIONS AND PRICING: 

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Paragon Kiln: 16.90 inches (43cm) wide x 11 inches (28cm) high. 

*Available for glass works, bisque fire & glaze (only low fire clay) 

Shelf dimensions: 15 1/2 inch (39.5cm)  

Kiln available to have 1-3 shelfs depends of the pieces dimensions.

Prices:

• 1/2 shelf :  $12 + tax

• One Shelf:  $22 + tax

• Full Kiln:  $40 + tax

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Cone Art Kiln:  23.5 inches (59.69cm) wide x 22.45 inches (57cm) high. 

*Available for glass works, bisque fire & glaze (high & low fire clay) 

Shelf dimensions: 21 3/4 inch (53.34cm)  

Kiln available to have 1-5 shelfs depends of the pieces dimensions.

Prices: 

• 1/2 shelf: $14 + tax

• One Shelf: $28 + tax

• Half Kiln: $ 53 + tax

• Full Kiln: $105 + tax

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For more detailed information visit: www.akincollective.com/ceramics.

To ask questions or schedule a firing please send an email to Liliana, the kiln technician at liliputmorritos@hotmail.com and you can follow her @Ceramic.Glass.Kilns. It may be helpful to take a pictures of the pieces you want fired and send via email.

To learn more about Liliana, read our blog! https://www.akincollective.com/blog/2023/akin-member-highlight-liliana-botero-rey.

To become an Akin Member at Akin St Clair, email us at info@akincollective.com or check our what's available at www.akincollective.com/currently-available 

We look forward to seeing your creations! 

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Akin St Clair, 1747 St Clair Ave W

 

FLUIDS June 20 - 23 at Remote Gallery

FLUIDS
June 20 - 23
Remote Gallery

Opening Night:
June 20, 6-11pm
Maria Allass performance at 9pm

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Queer body is in constant transformation, reviewing identities and expanding possibilities of expression. They are fluid, liquid, and exuberant, just like the eternal dynamics of life.
 
The exhibition FLUIDS brings together a collection of video art, photographs, and live performances from three queer artists who question the status quo and rigidity of binary gender determination. Drawing from their research and personal live experiences, the artworks reflect on the theme of the fluidity of our bodies, and the freedom of being ourselves.

Featured artists: @galactticaaa, @queer.portraits, @renato.baldin, @mariaallass

Let’s celebrate pride with art!

Visitation Hours:
Fri., June 21, 2 - 8pm
Sat., June 22, 2 - 10pm - Maria Allass performance at 8:30 pm
Sun., June 23, 2 - 6pm

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Remote Gallery, 568 Richmond St W

 

Kseniya Tsoy, 2023 Space Award Winner Workshop

In early March 2024, Kseniya Tsoy, a community-engaged artist, hosted a children's workshop at Remote Gallery, funded by her 2023 Space Award. The excursion to Graffiti Alley, conveniently located nearby, allowed kids aged 2 to 6 to dive into street art, finding inspiration to create their own "tags." Upon returning to the gallery, they turned their initials into imaginative characters and abstract artworks. Both children and parents displayed remarkable talent and had a thoroughly enjoyable time.

Kseniya Tsoy is a new Canadian community-engaged artist originally from Uzbekistan. Whether it's community murals, illustration or cultural production, Kseniya’s work has a distinct social purpose and focuses on diversity and inclusion. As a visual artist, her work is inspired by folk motifs and legends of different cultures that influenced her throughout her life. As a person of mixed heritage, Kseniya’s art is a visual expression of her never-ending exploration of identity and belonging. 

You can learn more about Kseniya’s practice at www.ktsoy.art and on Instagram at @ktsoy.art

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“I am very grateful for the Space Award. Having access to a venue like Remote Gallery where I could test my ideas, bring people together and showcase art is huge and very much appreciated.”

Kseniya is a 2023 Space Award Winner. The Newcomer Space Award is a partnership between Toronto Arts Foundation’s Neighbourhood Arts Network and Akin. This award focuses on providing affordable shared studio and/or exhibition space to newcomer professional artists who are past recipients of our Newcomer Arts Access Award (formerly known as RBC Arts Access Award). This award not only provides funding and space essential for professional artists to grow their practice, but also supports artists in growing their network through the shared studio space model.

HELIO EUDORO, Invisible at Remote Gallery

Helio Eudoro
Invisible
May 23 - June 2 at Remote Gallery

Image Description: A colour photograph of a person holding a large bundle of balloons obfuscating their face. They are standing on small rocks next to a large bolder by a body of water with trees and a sailboat in the background.

Solo Exhibition and Book Launch

Opening Reception: Thursday May 23, 6 - 9pm

Gallery Hours: Mon - Sun: 10am - 6pm

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Invisible is a photographic visual essay by Helio Eudoro. Through self-portraiture and collaborations, the artist explores the complex layers of visibility and forms of cultural exclusion through the lens of sexuality, body image, diaspora and aging.

Helio Eudoro is a Brazilian-Canadian multidisciplinary artist based in Toronto. He holds a BFA (Hons.) in Sculpture and Installation from OCAD University (2022). His work explores the intersection of identity, gender, sexuality, diaspora, and aging. Eudoro's art investigates themes of possessions, waste, and the cycle of mindless ownership, seeking to spark dialogues that challenge our understanding of body and identities, as well as material systems and their impact on consumption and disposal habits. He has received several grants and awards, including the 2022 OCADU Carmen Lamanna Award and the 2020 RBC Newcomer Arts Award. Eudoro's artwork has been exhibited in galleries and museums across Canada and Brazil, including the Art Museum at the University of Toronto in 2023 and ArtworxTO in 2022. His art is featured in collections such as the Museu de Arte Moderna da Bahia and the Museu de Arte Contemporânea of Rio Grande do Sul in Brazil.

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Helio is a 2023 Space Award Winner. The Newcomer Space Award is a partnership between Toronto Arts Foundation’s Neighbourhood Arts Network and Akin. This award focuses on providing affordable shared studio and/or exhibition space to newcomer professional artists who are past recipients of our Newcomer Arts Access Award (formerly known as RBC Arts Access Award). This award not only provides funding and space essential for professional artists to grow their practice, but also supports artists in growing their network through the shared studio space model.

Learn more about Helio’s work at @helioeudoro, @nada_is_nothing and helio-eudoro.format.com

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Remote Gallery, 568 Richmond St W, Toronto, ON M5V 1Y9

 

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FUNDING PROVIDED BY

The Newcomer Space Award is made possible with the support of RBC.

Akin Richmond-Bathurst, Expanded!

This month has been exciting for Akin! We announced our newest West End location, Akin Niagara, then Akin Queen East in the East End, and now we’re thrilled to announce an expansion to our highly sought after, centrally-located studio, Akin Richmond-Bathurst!

Located at 579 Richmond Street West, Akin Richmond-Bathurst is in a beautiful brick and beam building with large windows which was originally a cloak factory, built in 1913. The studio is in a fantastic location for artists and creatives, in close proximity to Michaels, Deserres, and 401 Richmond and right across the street from Akin’s rental space, Remote Gallery!

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AKIN RICHMOND-BATHURST
579 Richmond St W, Toronto, ON M5V 1Y6

Akin is expanding this studio by welcoming two more units on the third floor, units 301 and 303. These new units provide 37 new dedicated studios (i.e your own studio) ranging from 29 square feet for $205/month to 136 square feet for $613/month. We also have a new shared membership area which will welcome up to 20 shared members for $78/month. Monthly prices include taxes, insurance, wifi, utilities, 24/7 access and the use of shared shelving units, washrooms, communal working areas and a kitchen.

Our new Shared Membership workspace in Unit 303 has a light table, counter space, tables, chairs and is in close proximity to the utility sink and clean-up area. 

There is a flight of stairs leading up to the elevator. The new units on the third floor have two gender neutral bathrooms which are accessible by key, a kitchen and a common area.

The extended studios of Akin Richmond-Bathurst is expected to reach capacity quickly, so please reach out soon to secure your spot. Priority will be given to current Akin members and individuals on our waiting lists. However, we'll strive to accommodate anyone interested in this new location.

If you’re interested in a membership please email
info@akincollective.com and let us know what you are looking for!

Introducing Akin Queen East - our newest East End studio!

Akin is proud to present our newest studio offering for our beloved East End artists! Located at 429 Queen Street East, Akin Queen East is near the intersection of Queen St E and Sackville Street.

Located near Cabbagetown, Regent Park, Riverdale Park and the Distillery District, this new studio is the ideal spot for East End artists!

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AKIN QUEEN EAST
29 Queen St E, Toronto, ON M5A 1T5

As the studio is right on Queen street, the closest TTC stops are the 501 Queen Streetcar at Sackville St, both east and westbound.

Inhabiting all three floors of the building, the studio includes 39 dedicated studios (i.e your own studio) ranging from 25 sqft for $187/month to 130 sqft for $590/month and 20 shared memberships available for $78/month. There are both private and semi private dedicated studios at Akin Queen East. Monthly prices include taxes, insurance, wifi, utilities, 24/7 access as well as use of shared shelving units, washrooms, communal working areas and kitchen. The studio features two gender-neutral bathrooms. There are steps leading to the entrance, second floor, and basement where the bathrooms and kitchen are located, with no ramps or elevator available.

The studio itself is architecturally interesting, a long skylight stretches the length of the building, with light reaching down to all three floors thanks to the open concept layout. The studio is in a lively neighborhood, with close proximity to delicious food and local cafes and the camera store Vistek, is just across the street.

Akin Queen East is expected to reach capacity quickly, so please reach out soon to secure your spot. Priority will be given to current Akin members and individuals on our waiting lists. However, we'll strive to accommodate anyone interested in this new location.

If you’re interested in a membership please email
info@akincollective.com and let us know what you are looking for!

Introducing Akin Niagara - our newest West End studio!!

Our newest studio location is here! Introducing Akin Niagara, located at 289 Niagara Street, just south of Queen Street West. 

Steps away from the south end of Trinity Bellwoods Park, Type Books and the White Squirrel Cafe, Akin Niagara is a prime location for West End artists!

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AKIN NIAGARA
289 Niagara St., Toronto, ON M6J 3P3

Situated in the lower level of an apartment building, Akin Niagara hosts large windows and a private outdoor patio.

Akin Niagara has 27 dedicated studios (i.e. your own studio) and private and semi private studios ranging in size from 40sf ($252/month) to 115 square feet ($541/month). We also have 10 shared memberships for $78.00/month.
Monthly prices include taxes, insurance, wifi, utilities, 24/7 access as well as use of shared shelving units, washrooms, communal working areas and kitchen.

Akin Niagara is expected to reach capacity quickly, so please reach out to secure your spot. Priority will be given to current Akin members and individuals on our waiting lists. However, we'll strive to accommodate anyone interested in this new location. We're thrilled to expand the Akin community in the West end of the city. Keep an eye out for more studio updates later this month!

If you’re interested in a membership please email
info@akincollective.com and let us know what you are looking for!

Artist Opportunities, Spring Edition!

Celebrate spring and grow your art career by applying to some calls for submissions! We've compiled a list of upcoming opportunities for you to showcase your talents. Don't hesitate to apply – remember, Akin is cheering for you!

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"Just Us" Art Call

Call for Artists 
Deadline: August 4, 2024

StART’s fourth annual "Just Us" Art Call seeks mural project concepts highlighting social injustice, equity, and community engagement, particularly concerning Black and Indigenous peoples and other equity deserving groups. Artists committed to diversity and positive change are invited to submit proposals addressing historic and current social issues. Projects must be visible from a city street in Toronto and have property owner authorization. Selected projects may receive up to $5,000 for creation.

Mural by Donovan Searchwell and Labrona Lovegates. 29 Lower River Street, Toronto.

Read more and and apply here

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Ontario Arts Council

Artist Grants
Deadline: May 2, 2024

Skills and Career Development: Indigenous Arts Professionals and
Arts Professionals of Colour

This program supports Ontario-based Indigenous arts professionals and arts professionals of colour, or groups comprised of them, for skill-building and professional development opportunities. It funds various art practices endorsed by OAC, including study, mentorship, internships, apprenticeships, and artwork documentation, with a maximum grant of $10,000 for skills and career development.

Image by Jennifer Marquez @jamscreativephotography

Read more and and apply here

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Craft Ontario

Call for Exhibition Proposals
Deadline: May 27, 2024

Craft Ontario is currently seeking proposals for solo and two-person exhibitions to take place in the Craft Ontario Gallery, 1106 Queen St West, in the 2025 calendar year. 

More details and application here

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Ontario Arts Council

Artist Grants
Deadline: May and November 1, 2024

The John Fluevog Shoes Emerging Artist Grant is intended to help emerging artists develop their skills and increase the visibility of their artwork. The winner will receive $10,000 towards their artistic wThis program supports Ontario-based visual artists in creating new work, aiming to encompass diverse artistic practices and support excellence, regional activity, and various artists and communities. It offers three funding categories based on years of professional practice and public presentation of work: Emerging ($5,000), Mid-Career ($7,500), and Established ($15,000).

Find more details and apply here

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Vector Festival 2024

Artist Call
Deadline: April 19, 2024

Vector Festival is a digital media arts festival in Toronto, showcasing digital games and creative media. The flagship exhibition for 2024, curated by Miriam Arbus, explores migration, weather, geopolitics, and algorithms. Artists are encouraged to submit works reflecting the cosmic and interconnected theme. Submissions for the 2024 program are open, with the festival running from July 11 to 21, 2024, and exhibitions extending until August 10, 2024.

For more details and application here

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As always, we’d like to thank our incredible community for your continued support. Good luck!
Love, Akin

23rd Annual Being Scene Exhibition

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The Being Scene Annual Juried Exhibition serves as a platform to showcase the rich and varied talent within the Workman Arts community. We aim to continue brightening the city with our diverse and inclusive exhibition. This annual event is a celebration of creativity that contributes to and fosters a sense of belonging within the broader cultural landscape.

This year, the Being Scene exhibition will be held at two locations: Remote Gallery, opening Saturday, March 30, and Workman Arts’ offsite location at Artscape Youngplace, opening Friday, April 5. These springtime exhibitions will display over thirty juried artworks selected by Aidan Cowling (The Blackwood Gallery), Heidi Persaud (Tangled Art + Disability), and Jesse King (Art Gallery of Ontario). 

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Days and Times Open to the Public:

March 30 - April 19
Wednesdays to Sundays, 12-5 PM (closed Mar. 31)

Opening Reception: 

March 30, 5-8 PM, Remote Gallery, 568 Richmond St. W.

Image Description: Illustration of a human wearing a pink scarf on their head under a textured background of light blues. The following text lives on a solid chartreuse rectangle. OPENING RECEPTION: Sat. Mar. 30, Remote Gallery, 568 Richmond Street W. Toronto, ON M5V 1Y9

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Participating Authors/Artists:

Áine Belton
Adi Amit
Anna Camilleri
Cassandra Chassi
E. Franklin
Grigio Liu
Ica Pas
Jace Traz
Lorette C. Luzajic
Ronald Berberich
Serena McCarroll
Shannon Taylor-Jones
Stephanie Avery

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Find Workman Arts on Facebook | Instagram | Twitter | LinkedIn | YouTube

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Remote Gallery, 568 Richmond Street W. Toronto, ON M5V 1Y9

 

Akin Artists at The Artist Project, April 11 - 14

The anticipation builds as The Artist Project approaches! We're thrilled to announce the participation of six current Akin members alongside numerous alumni. Join them at the Better Living Centre in Exhibition Place from April 11-14, along with over 250 independent artists. Immerse yourself in an atmosphere crafted to spark meaningful dialogues and forge intimate connections with art. Delve into a vast array of artworks and large-scale installations, partake in curator-led art tours, and discover that perfect piece that speaks to your soul.

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Ashley Snook, Booth 437

Ashley Snook (Akin Dupont) is an award winning interdisciplinary artist, researcher and educator. She holds a PhD in Art and Visual Culture from Western University. Informed by biology, scientific research and socio-cultural dynamics, Snook explores the complexities of diverse living networks and the concept of animality. To Snook, exploring ones own unique position in animality has the potential to open perspective on human existence and relationships with one another, human-animal relationships, and relationality to the more-than-human world. It is a rebellious act against hegemonic forces that have enabled things like environmental degradation, capitalism, hate, overworking, and conformity. Her practice explores connections through differences, impermanence, composting, and imaginative reworlding, and therefore, animality is a constant theme of contemplation in Snooks work. Working predominantly in drawing, sculpture and installation, animality is imbued in everything she does. She is fascinated by the micro and macro relationships between human animals, nonhuman animals, bacteria, fungi, and vegetal/botanical life—this prompts her to blur distinctions as to what is human, animal, plant, living, or nonliving. Within these methods of creating, Snook looks to ways in which she can further engage her audience. This often looks like incorporating viewer participation, encouraging presentness, sensory awakening, for example, by incorporating smell, mood lighting, tactility, sound, and playfulness in her work.

View her entire Artist Project profile here

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Janne Reuss, Booth 100

Janne Reuss (Akin Yonge-St Clair) was born and raised in Mexico City and is currently based in Toronto, Canada. She has been a professional practicing artist for more than two decades, having lived, worked and exhibited her artwork in Mexico, United States, Germany, Italy and Canada. She studied Fine Arts at the Academy of Art & Design in Stuttgart, Germany. Her preferred media are photography and collage, but she also paints, often cycling fluidly between the three. A constant theme in Janne’s work is her interest in human nature and how memories and experiences are imprinted deep inside of us. Janne’s work is held in private and public collections including the Donovan Art Collection at St. Michael’s College (Canada) and the Municipal Gallery of Ostfildern (Germany).

View her entire Artist Project profile here

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Jen Arron, Booth I-02

Jen Arron works with globally sourced fibers in her studio-based practice. Weaving in a freestyle approach, her large-scale pieces reveal connections about time, texture, and materials. Jen’s process of discovery often reflects an ecosystem of life.

View her entire Artist Project profile here

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Lindsay Chambers, Booth 318

Lindsay Chambers (Akin Richmond-Bathurst) is a contemporary Canadian artist who currently lives and works in Toronto. Her work belongs to collections across Canada, as well as in the United States, UK, Dubai, New Zealand, Australia, Switzerland and Japan. Her work explores the delicacies of the human condition through paintings based on crumpled paper sculptures. All reference material, including any pattern or text, is carefully executed by the hand of the Artist. Chambers’ painting objective is to explore materials, to manipulate paint and maintain the visibility of layers. At all times a viewer is reminded of the painting process through layers of paint, variation in directional brushwork, and texture. These works are not as concerned with realism, rather the fluidity of materials and the painting process.

View her entire Artist Project profile here

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Loren Kaplan, Vessels & Sticks Gallery, Booth 125

Loren Kaplan (Akin Dupont). In my work I integrate symbolic, visual, tactile and spiritual values – blending form, function and meaning. My work resonates with light, sound, pattern and texture and includes pieces that are created by coiling and hand-building as well as specialized ranges of thrown work. Once built, the surface of the vessels are carved, sculpted or engraved with intricate patterns and symbols that combine the geometric and organic. There are many diversities and extremes that I try and hold and balance within my life and work. Within them all, they hold the silence and meditation of the making, the time, the process and the attention to detail. I make vessels because containers are about potential. My focus is on the space-in-between; defined spaces of emptiness making room for something to be held.

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Miles Ingrassia, Booth 224

Miles Ingrassia (Akin Dupont) is a painter and printmaker based out of Toronto.

View his entire Artist Project profile here

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Alyssa King, Akin X Collision Gallery, Booth 517

Carolina Reis, Akin Logan, Booth 130

Chris Harms, Akin Dupont, Booth 439

Kristy Blackwell, Akin Sunnyside, Booth 332

Linds Miyo, Akin AUTO, Booth 925

Natalie Plociennik, Akin St. Clair, Booth 222

Ryan Jester, Akin Waterfront, Booth I-19

Kristen Stephen, Akin King, Booth 1011

Stephanie Avery, Akin AUTO, Booth 403

Zach Atticus, Akin Lansdowne, Booth 518

Zoey Zoric, Akin River, Booth I-17

Jonah Strub, Akin Dupont, Booth 316

Good Luck to all of the Artists!

Love,
Akin

SEAMLIGHT, New Exhibition by artist Shayla Bond at the Akin Vitrine Gallery

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Image Description: Shayla Bond’s piece Seamlight installed inside the Akin Vitrine Gallery, a white box with two thin fluorescent tube lights on the ceiling. Light boxes are mounted on the three walls of the vitrine gallery, symmetrically aligned, each with woven textiles inside, one gray, one yellow, one navy blue.

Here at Akin, we’ve known about Shayla Bond’s incredible craftsmanship and eye for intricate detail for a long time, which is why we’re so excited that her newest exhibition, Seamlight, is up now at The Akin Vitrine Gallery until April 11th! This exhibition is not to be missed.  

The gallery is viewable 24/7 from the sidewalk at 1747 St Clair Ave W, just east of Keele.

We reached out to Shayla to learn more about her process, muses and inspirations. Read the interview below. 

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Shayla Bond is a Canadian process artist who integrates design principles into fibre works to preserve heritage craft techniques within a contemporary framework. Her work explores themes of perfectionism, control, and obsession through aesthetic strategies such as colour, precision, and repetition.

Her exhibit, Seamlight, runs from March 11th to April 11th and features three 12" x 12" sewn textile works elegantly framed and installed, offering a captivating blend of minimalist aesthetics and innovative functionality. 

At first glance, these works appear as solid-coloured textiles. However, they possess a hidden surprise – they can be turned on to emit a soft, mesmerizing glow. This subtle illumination serves a dual purpose: it not only enhances the visual appeal of the pieces but also unveils the concealed craftsmanship typically found on the reverse side of sewn garments and linens. By casting light on the intricate seams and stitches, this installation invites viewers to appreciate the meticulous artistry that goes into creating textile works prompting viewers to reconsider the beauty and artistry inherent in everyday objects.

Image Description: An image of artist Shayla Bond’s piece Seamlight. Three light boxes are mounted to a white wall in a vertical line. Inside the frames are woven textiles with a lightsource behind them. The textiles are dark blue, yellow and gray respectively. A cord hangs from the bottom of each lightbox. 

What are you curious about right now? What do you do to stimulate curiosity and inspiration? 

Currently, I'm curious about the ways that pliable materials can be manipulated into solid or 3 dimensional structures.  Continually, I am curious about how I can drive deeper into the art of heritage craft techniques while still creating works that feel visually relevant in today’s aesthetic obsessed world. Simultaneously moving backward and forward in time.

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What was your first medium?

The first medium I can remember using was cheap acrylic paint. My craftsmen mother always had them laying around as she used them in her primitive woodworking. She would cut out shapes from wood and allow me to paint them.

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Do you have a studio routine?

I am in my studio most days from 9-5pm. When I arrive at 7am, I am most prosperous and productive in creating as I am a morning bird. I try to segment the commercial side of my business, creating, and admin work by days, and avoid using those parts of my brain all in one day. One day a week I try to work on grants and exhibition proposals.

Image Description: An image of artist Shayla Bond’s piece Seamlight. Three light boxes are mounted to a white wall in a vertical line. Inside the frames are woven textiles with a lightsource behind them. The fabric is illuminated by the light, revealing the seams and accentuating the honeycomb-like shapes of the stitching. A cord hangs from the bottom of each lightbox. 

Do you have creative prompts or habits to help you get started? Any self-care tips to share?

I begin my day as soon as my eyes open by rolling over in bed and doing ’morning pages’, which is something I took away from the book The Artist's Way by Julia Cameron. Morning pages are 3 written stream-of-thought pages of journaling that can be a huge guiding force for my day. It helps me focus on priorities top 'wants' before any other thoughts, or worries adulterate my brain. As someone with ADD, it helps me set my intention for the day and when reviewing what I wrote the following day, helps keep me on track with goals.

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Is there an artist you'd like to go back in time to meet? Or someone you'd love to invite to dinner right now? Who is it and what would you ask them about?

This is a hard one. So many talented people who paved the way for craft-based artisans today, blurring the line between fine art and craft. I would love to go back in time and meet Alexander Girard, renowned architect, interior designer, furniture designer, industrial designer, and a textile designer. As someone who feels quite disciplinary in my approach to textiles, I'd like to ask about his design process and cross pollination of mediums, along with some of his values/beliefs. He's known to have had a manifesto that guided his practice.

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What are some of the benefits of being in the studio for you? 

Being in the studio has multiplied my growth as an artist. Having a space that is dedicated to your practice can be hugely beneficial to your production. There are little distractions that there would be at home, when you arrive, you simply pick back up where you left off the previous day, and you are also offered that sense of validation and confidence so many artists crave and need when claiming, "I am an artist".  It is a tiny world in which your creativity can live in full force.

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What are you NOT very good at? What do you WANT to be good at? 

I am not good at saying no, and prioritization. I take on too many projects which splits my ability to get better in individual areas and can stunt growth. As someone who tries too hard to be good at everything, I think my answer to this would be that I am actively trying to reframe and be happy with NOT be good at everything - because it's unattainable! 🙃

You can find more of Shayla’s work on her website www.shaylabond.com and on her instagram @bushclass 

Introducing the Flex Space at Akin Davisville

Akin Davisville proudly introduces our latest offering: the Flex Space! The Flex Space is a 200sf private room designed for creatives and professionals seeking a versatile workspace. The Flex Space can be booked for $15/hour.

The Flex Space is available exclusively to Akin Davisville members and members in other Akin locations. To join Akin Davisville please email info@akincollective.com 

Akin Davisville Memberships start at $78 for a Shared Membership (access to communal workspace). We also have Dedicated Memberships (your own personal workspace) ranging from 25 square feet at $187/month to 135 square feet at $610/month. 

Monthly prices include: taxes, insurance, wifi, utilities, 24/7 access as well as use of shared shelving units, washroom, communal working areas, and kitchen. 

Kiln Operator at Akin Davisville: Call for Expressions of Interest - Deadline March 1st

Akin Davisville, 224 Merton Street, is looking for a kiln owner who is interested in an Akin Studio Membership starting in February or March 1st 2024 and would like to operate their kiln from the studio. If you have a kiln and would like to operate your own kiln firing business out of an Akin studio, read on to learn more about this opportunity. We have approval for one kiln to be installed in the building so this is a limited opportunity. 

What does running a kiln out of an Akin Studio look like? 

Kiln owners and operators run their own firing business out of an Akin studio. Akin does not take a cut of any profits earned from firings. It is up to the kiln operator to determine how often they will fire for themselves and others, what they will charge as a fee, and how they will communicate with clients and organize their firing schedule. We have members doing this at Akin Dupont and Akin St Clair currently. Akin can support your business by promoting it on our website like this: www.akincollective.com/ceramics  

Kiln owners will rent the space from Akin to be used as a kiln room. At Akin Davisville, we’ve reserved a suitable room to dedicate to kiln use. Additional space in the building could be rented as well if you needed more space for working, shelving or other storage.  

The kiln operator will also be responsible for signing Akin’s Kiln Contract for Kiln Owners and Operators at Akin Studios prior to joining. This contract can be found here and should be reviewed prior to filling out the submission form. 

What will it cost me to install a kiln at Akin Davisville? 

The kiln operator will rent the studio we’ve designated as the kiln room. The kiln room we’ve chosen is 55 square feet, and the price is $310/month which includes HST, insurance, wifi, 24/7 access, access to communal workspace, kitchen and bathrooms. There will be an additional monthly fee for hydro usage, based on the frequency and duration of kiln firings and the electricity consumption of the kiln. You will also be responsible for all of the expenses related to installing the kiln including electrical work and ventilation.

You must supply all of your own equipment, including the kiln, shelving and anything else that is needed (eg materials and supplies).

The kiln must be installed by a certified electrician to ensure the safety of all studio members. The kiln must be put on its own breaker.

What do the facilities look like? 

Image Above: The designated kiln room at Akin Davisville

The designated kiln room is a 55 square foot (about 7.5’ x 7.5’) private room with a door that closes, tile floors, and a window leading to outdoors. This room was built with an air vent, as we suspect it served the former tenants as a laundry room.

What control will Akin have over my firing business? 

Aside from selecting a suitable kiln owner who is knowledgeable and experienced in operating a kiln, Akin will not assume any control over your firing business. The kiln owner is expected to set their own rates, have their own insurance, organize their own schedule, and assume responsibility for all aspects of their own business. We aim to find a kiln owner who is willing to fire for people within the studio or the larger Akin community if you wish to, and not just for themselves. 

The kiln owner will also need to abide by Akin policies including our Code of Conduct, Health and Safety Policy and Guest Policy. 

How long will I be able to keep my kiln at Akin Davisville? 

As long as you’re a member who pays their monthly fee on time, follows our Code of Conduct and Health and Safety policy, you will be allowed to run your kiln firing business out of Akin Davisville for as long as Akin is leasing the building. Please note that our studio lease end date is November 30th, 2026, however, the landlords may ask us to leave earlier if their site development plans change and we would receive four month’s notice of this. We expect to be staying in the studio at least until the end of 2024. Although we often operate on short term leases we have found that in most cases we are able to extend our stay in these buildings due to the typically slow pace of property development in Toronto. There are however other instances in which property owners make use of the demolition termination clause that often exists in ours and many commercial leases, which means that we have to move out before the end of the lease. 

As a team we feel it is important for us to be open and transparent with you as current and prospective studio members so that you have the necessary information in order to make the decisions that are best for you and for your career. 

How do I apply?

If you’re interested in becoming a kiln operator at Akin Davisville, please fill out this form. Akin staff will review the form submissions and connect with respondents directly. The deadline to fill out the form to express interest in this opportunity is March 1st, 2024  Filling out the form does not guarantee Akin Davisville membership. Priority will be given to folks who are already on an Akin Waiting List, and folks who self-identify as belonging to our priority equity-deserving groups (Persons of Colour, Deaf Persons, Persons with Disabilities and Persons Living with Mental Illness, Indigenous, 2SLGBTQ+)

We look forward to hearing from you! Please email info@akincollective.com with any questions you may have. 

FORM LINK: https://forms.gle/Jt1DCML3QvKEFdjf6

Deadline March 1, 2024

Inspirations Studio, Art Auction & Fundraiser!

Please join us to celebrate 30 years of YWCA Toronto’s Inspirations Studio, a unique ceramics arts program that empowers women experiencing poverty, mental health or disability, while improving their lives through the making and selling of pottery.

Thursday March 21, 2024, from 6 to 9pm at OCAD University’s Great Hall, Level 2, 100 McCaul St., Toronto.

 

Hosted by Carolyn Taylor of Baroness Von Sketch and I Have Nothing on Crave, the event features:

LIVE Auction at 7pm featuring work by 10 amazing contemporary artists:

Mel Arsenault, Marissa Y Alexander, Shary Boyle,
Maggie Boyd, Lisa Creskey, Heather Goodchild, Lindsay
Montgomery, Julie Moon, Rajni Perera and Kendra Yee

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Silent Auction with work by studio members and response paintings
by OCADU students, plate settings from Toronto Potters and
gifts from local businesses.

Complimentary refreshments and drink.

Music and mingling.

DIY Pottery painting, wheel demos, raffles & more!

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Come be inspired by beautiful work and stories of the transformative power of art! And know that 100% of the proceeds will go to YWCA Toronto’s Inspirations Studio to offer low barrier access and opportunities.

Help keep this small but mighty program going strong!

Please share and we will see you there!

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Inspirations Studio

389 Church Street

Toronto, ON M5B 2E5

416-367-2728

www.inspirationsstudio.org

Please follow us!
@inspiredpottery

Every Day I Wake Up and I'm Still in Tokyo: Artist Tam Phan’s new exhibition at the Akin Vitrine Gallery

We’re excited to introduce a brand new exhibition up in the Akin Vitrine Gallery at 1747 St Clair Ave: ‘Every Day I Wake Up and I'm Still in Tokyo’ by artist Tam Phan!

The exhibition will be up from February 9th - March 9th. The gallery is visible from the street 24/7, if you’re in the neighborhood, be sure to drop by and take a look. In the meantime, read on to find out more about Tam’s work and inspirations! 

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Image above: Artist Tam Phan, waring a respirator mask

About the artist: 
Tam Phan is a Vietnamese-Canadian artist based in Toronto who loves working with stained glass. Her practice explores themes of nostalgia, wonder, feeling lost, and identity. Her new installation titled ‘Every Day I Wake Up and I'm Still in Tokyo’ will run from February 9th - March 9th in the Akin Vitrine, and will showcase various stained glass pieces, lite brite toys, and a gifted TTC lightbox. The installation is inspired by her trips to Vietnam and Japan. 

See more work on Tam’s instagram

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Tell us about your exhibition!
Tam: “Everyday I Wake Up and I'm Still in Tokyo was inspired by a trip I went on to Japan and Vietnam in 2023. I felt lost on this trip and it impacted how I viewed myself and my identity. Although unsteady, I felt comfortable with my reading and conversational skills in Vietnam, plus I had family there who made me feel mostly at home. But once I got to Japan I felt lost again, and those feelings were amplified by being physically lost in a place where I couldn't understand anything.

I decided to take lots of pictures of the shop and restaurant signs, and three were my inspiration for the stained glass collection I have in the Vitrine Gallery. Each one is colourful, vibrant, and has Kanji in it, but there's a small feeling of sadness when I look at each of them. I manipulated the colours, design and shapes but ultimately kept most of them true to the original.

Thank you to the Toronto Arts Council who generously supported this project.”

Image above: Artist Tam Phan is standing beside the Akin Vitrine Gallery and looking at it. In the gallery are many colourful pieces of stained glass artwork incluing a large piece featuring a piece of chocolate cake with red cherries on it in front of an orange and blue background.

What was your first medium and what's your favourite tool/material right now? 

Tam: “Just a paper and pencil! I was also obsessed with gel pens.”

Do you have a studio routine? 

Tam: “I am definitely a project-focused artist. My studio mates will not see me for months until I have a new passion project. Then you'll see me in the studio every day, cutting, grinding and foiling like a mad scientist.”

Do you have creative prompts or habits to help you get started? Any self-care tips to share?

Tam: “Just do it! Go to the studio even if you don't have everything ready. I'm always surprised by how inspiring it can be to just give yourself space in the right environment. I also divide my time at the studio with playing badminton, and I find the two (making art, play badminton) inspire and motivate each other in odd ways.”

What are some of the benefits of being in the studio for you? What brought you to Akin?

Tam: “There are so many benefits. Even though every morning is a constant battle to get out of the door, once I'm at the studio I feel my creative side break through. The community, having an alternate space for creativity, and for this specific project, every single one of my studio mates helped me from cutting to design to installation or even just a short pep talk. It was incredible and made me so emotional. Everyone wanted me to succeed. 

I signed up for a space at Akin during the pandemic when I desperately needed a change of scenery and a chance to work with my hands. Being at Akin has changed my worldview in many ways.”

What are you NOT very good at? What do you WANT to be good at? 

Tam: “Not good: meeting deadlines. Want to be good at: meeting deadlines!!”

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Akin would like to thank Tam for your lovely exhibition and participation, we love this installation and can’t wait to see what’s coming in the future! 

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This project was produced with the support of the City of Toronto through Toronto Arts Council. #poweredbyTAC