Akin Queen Open Studio: A Heartfelt Thank You to Our Community
On October 12th, we had the pleasure of opening our doors to the community for the Akin Queen East Open Studio, and we couldn't be more grateful to everyone who came and made the event such a success!
A huge thank you to our amazing Akin members for showcasing their work and welcoming visitors with such warmth and enthusiasm. The sense of community was palpable, and it was wonderful to see so many meaningful connections made throughout the day.
We also want to extend our heartfelt thanks to Nurielle Stern of Lost and Found Gallery and the artists from the 1-800-INF-ERNO exhibition for collaborating with us for the day. They truly added another layer of inspiration and we’re so glad to have shared this special occasion with them.
Lastly, a big thank you to all of our guests! Whether you’re an artist, an art lover, or simply curious about our space, your presence and support mean the world to us. It was fantastic to meet so many new faces, and we look forward to welcoming you again in the future— Until then, enjoy the photos from the Open Studio!
Image Descriptions: a slideshow of images showing artists and guests at Akin Queen East during the open studio. There are different people who are talking to each other, smiling, and looking around the studios. Artwork and art materials can be seen in the studio space including paintings, sculptures, and textile works.
List of participating artists:
As well as the artists featured in the 1-800–INF-ERNO installation at The Lost and Found Gallery: Micki-Lee Smith & Zakriya Bashir-Hill, in collaboration with Diana Lawryshyn, Pratap Mathews, & Yun Young Lee. Also featuring paintings by Diana Lawryshyn.
Thank you!
Love, Akin
Call for Artists! Documentary focused on Environmental Art Activism!
Artterra is seeking Canadian artists whose work explores the powerful connection between art and environmental activism for an upcoming full-length documentary. The project will delve into how art not only raises awareness but also drives action on critical environmental issues. Whether the approach to activism is subtle or bold, artists with stories to tell are encouraged to apply.
Who Are They Looking For?
Artists from all visual disciplines—painting, sculpture, photography, digital art, and mixed media—are welcome. The focus is on art that delivers a strong environmental message, reflecting both the challenges and beauty of the natural world.
Why Environmental Activism?
In the face of climate change and environmental degradation, art holds a unique ability to influence public perception and inspire real-world action. The documentary aims to highlight how art can raise awareness, build community, and propel the movement toward sustainability.
Why Participate?
This project offers artists an opportunity to have their work showcased globally, alongside compensation for their story rights and an honorarium. Participants will also benefit from:
Sharing their story and amplifying the message of their art.
Potential speaking opportunities surrounding the documentary’s release.
Access to professional photo and video materials for their own use.
Image Description: Mural artist Kari Morgan painting a wall in shades of blue and black, with the words “Watch the Teaser” and a play button graphic.
For more information and to watch the teaser,
visit artterra.ca
Akin Queen East Open Studio Day!
On October 12th, the doors will swing open to one of our newest and most exciting studios, Akin Queen East! Located near Queen and Sackville Street, the studio is filled with over 60 ceramicists, painters, illustrators, writers, textile workers and more!
Read MoreGet to Know the Lost and Found Project Space
Located at 420 Queen Street East, The Lost & Found is a new artist-led project hosting exhibitions, workshops, and kiln firing services.
The Lost & Found provides exhibition space in downtown Toronto, where space is at a premium. The founder, Nurielle Stern, is a ceramic artist who aims to facilitate connections between artists and curators, create exhibition opportunities, and connect artists and communities. The Lost & Found supports experimental, non-commercial, and under-represented artistic practices.
Read MoreMeet the 2024 Career Launcher Award Winners in their Akin studios
Image Description: Headshots of Shannon Sandwell and Meera Dinh. The text “2024 Akin Career Launcher Award Recipients”, the Akin and OCADU logos appear on the left hand side above a pink and blue background.
As our 2024 OCADU Career Launcher Award winners settle into their Akin studios, we caught up with them to learn a little more about them, and to see what they are working on.
The Career Launcher award is a collaboration between OCADU and Akin, which gives two graduating OCAD students $2,000 towards Akin studio membership and $450 for a booking at Akin’s Remote Gallery. This year's recipients of the award are Meera Dinh, who has moved into Akin Richmond-Bathurst, and Shannon Sandwell, settled into Akin Niagara.
Shannon Sandwell
Shannon Sandwell is a Canadian figurative painter based in Toronto. Their work focuses on community and connection intertwined with popular and sub-cultural imagery. Using a collage style of painting Shannon’s work creates narratives that exist out of regular time and space to emphasize platonic intimacy and the human desire to be close with one another.
Shannon Sandwell sits on a rolling chair in their studio. They have short blonde hair, tattoos and are wearing a white t-shirt and gray shorts with sandals. Behind them, large bright figurative paintings hang on the wall.
“I paint large-scale figurative works with acrylic. Collaging references from life and my communities with references from pop/subcultures to create new moments of connection that exist out of time and space while utilizing scale to defamiliarize these moments of platonic intimacy. The scale and cropping of the images in my paintings disorient the viewer- forcing them to engage and seek the connections within the compositions. This act of seeking allows the viewer to feel connected to the anonymous community before them. The collaging of images will enable me to work in complex compositions, steering away from the monolithic individual. I am searching for ways to bring visual sovereignty and joy to figurative work and seeking out ways in which humans seek connection with one another to survive.”
Several paintings of Shannons sit against the wall and hang above.
“I have been working on a collection of paintings for an upcoming show! It is smaller than most of my work, but I have enjoyed having the space to work on multiple 4' by 3' canvases simultaneously. The studio space to jump from painting to painting has been very helpful.”
Shannon Sandwell sits on a rolling chair in their studio. They have short blonde hair, tattoos and are wearing a white t-shirt and gray shorts with sandals. Behind them, large bright figurative paintings hang on the wall.
“I am very neurotic about using a fresh palette. I use only the primaries plus white and mixed while painting. This requires me to constantly reset and start fresh after my palette has gotten wild. Another ritual for my work is documenting community when I find myself in it. Constantly using my phone to take reference photos on the go. I am also asking consent of those in my communities that I end up photographing for paint reference.”
Find more of Shannon’s work here
Meera Dinh
Meera Dinh is a Vietnamese artist based in Toronto who specializes in oil painting. Her work delves into the complexity of female identity, transforming personal and external experiences into dynamic compositions rich with intimacy, eroticism, and transformation.
She completed her Honours BFA in Drawing and Painting at OCAD University in 2024.
“My work explores the deep connection between the soul and the psychological challenges that come with being in a female body. I’m fascinated by how these forces shape identity and the constant struggle to understand my own nature. My oil paintings focus on capturing that in-between space—the line between the conscious and subconscious mind—by blending personal symbols, memories, and a touch of the erotic.
Meera Dinh sits on a chair inside her studio. Meera has long black hair and is wearing blue jeans and a black and brown floral tank top. Beside her is a large easel holding a circular canvas. Behind her are drawings posted to the walls. The large window in her studio looks out to a cityscape. Books rest on the windowsill.
I often pull from my subconscious, letting spontaneous ideas and images surface, which I then transform into visual stories. My work involves a lot of introspection as I explore themes like societal expectations, emotional vulnerability, and the absurdities we all face in life. Each painting feels like a moment of confrontation but also liberation, a chance to express emotions I’ve been holding onto.
Stylistically, I love combining figurative realism with surreal elements, allowing me to play with the boundaries between control and chaos. I use oil paints to build layers that reflect the complexity of these ideas. Lately, I’ve been incorporating themes of female identity merging with animal forms to symbolize primal instincts and transformation.
At the core, my art is very personal. It’s a space where I can reveal my own vulnerabilities and challenge societal norms, inviting viewers into an intimate conversation about identity and self-expression.”
Meera Dinh sits on a chair inside her studio. Meera has long black hair and is wearing blue jeans and a black and brown floral tank top. Beside her is a large easel holding a circular canvas. Behind her are drawings posted to the walls. The large window in her studio looks out to a cityscape. Books rest on the windowsill.
“Since moving into my Akin Richmond-Bathurst studio, I feel incredibly fortunate to have found such an inspiring space. Located in the heart of Toronto’s most artistic area, the studio is everything I could have hoped for as a painter—housed in a charming brick building with serene views and surrounded by a vibrant community of talented artists. This environment has pushed my practice forward, allowing me to learn from others and grow in ways I hadn’t anticipated. It feels like the ultimate artist’s dream space, a sanctuary where creativity thrives.
This studio has given me the solid foundation to continue my artistic journey beyond graduation. It’s more than just a workspace; receiving this space has been a life-changing award. It’s given me the confidence that I’m on the right path and reminds me to keep going, no matter the challenges. The opportunity to work here has been a significant turning point, motivating me to push my work further and explore new directions.
I’m currently preparing for a group show at Remote Gallery with Ellie Hsu and Ariadna Mavila de la Rosa. Our exhibition, which will take place either later this year or early next year, explores the theme of female identity merging with animal forms. It’s a deeply personal project for me, and the space has given me the room to fully explore these ideas through oil painting, my primary medium. It has allowed me to experiment with new techniques and materials, bringing these concepts to life in ways I hadn’t imagined.
In addition to the upcoming show, I’ve also been applying for exhibitions and residencies. Thanks to this studio, I can develop new works and expand my portfolio in ways that will sustain my practice for years to come.”
Meera Dinh sits on a chair inside her studio. Meera has long black hair and is wearing blue jeans and a black and brown floral tank top. Beside her is a large easel holding a circular canvas. Behind her are drawings posted to the walls. The large window in her studio looks out to a cityscape. Books rest on the windowsill.
“My creative process often begins in brief moments of detachment, where I drift away from the present reality. During these times, vivid and symbolic images emerge deep within my subconscious—like seeing myself on a steak plate or catching a distorted reflection of myself in the mud at a TTC subway station. These metaphorical visions communicate with me in ways I don’t fully understand, but I can sense their emotional weight.
When these images surface, I instinctively sketch them in my notebook without overthinking, almost like a child doodling. After this initial sketching, I take photos of myself as a reference for the paintings, using my own body to capture the forms and poses I want to explore further. At this stage, I feel the intensity of the images, though their meaning is still elusive. From there, I move into painting, which allows me to spend long periods with these images, slowly unravelling their deeper significance. Immersing myself in the painting process—often for hours—I engage with the forms I’ve created until their meaning becomes clearer. Along the way, I also research the themes and symbols that arise, drawing from journaling, music, poetry, philosophy, and literature that delve into the space between conscious thought and intuition. Inspiration often strikes when I’m in this liminal space, exploring and observing the images as they evolve. Through this process, my art starts to reveal naked truths I often hide behind the everyday roles and performances of life. In many ways, my art understands me better than I understand myself, and through it, I discover deeper layers of my identity.
Additionally, my cats, Bob and Moxie, are a huge motivation source for me. I always keep their picture in my studio; whenever I feel down or exhausted, looking at them lifts my spirits and reminds me to keep going.”
Find more of Meera’s work here
Lana Yuan, Whispers of CHAOS, Sept. 20 to Oct. 1, Remote Gallery
Lana Yuan, Whispers of CHAOS
September 20 to October 1
Remote Gallery, 568 Richmond Street West
Opening Reception:
Sunday September 22: (2:00-6:00pm)
Daily viewing hours from Sep 20 to Oct 1:
Monday to Friday (8:30 pm to 11:30pm)
Saturday & Sunday (9:00am to 8:00pm)
Whisperers of Chaos is an exploration of the delicate interplay between order and chaos, as well as the lingering echoes of childhood nostalgia.
Drawing from her own childhood experiences, Lana Yuan navigates the decayed and abandoned spaces where her imagination once thrived. These spaces, now standing as metaphors for the untouched facets of the psyche, reflect the transient nature of human existence and the shifting socio-political dynamics of urban environments. Through the use of plaster, found objects, and steel tubes, each sculpture encapsulates the essence of these forgotten places. Each piece serves as a vessel for uncovering hidden narratives, revealing the inherent beauty that lies within vulnerability and disorder.
Learn more about Lana’s work at www.lanajyuan.work and @ Lana_yuan
Lana is a 2023 Space Award Winner. this award is a partnership between Toronto Arts Foundation, Neighbourhood Arts Network and Akin. This award focuses on providing affordable shared studio and/or exhibition space to newcomer professional artists who are past recipients of our Newcomer Arts Access Award (formerly known as RBC Arts Access Award). This award not only provides funding and space essential for professional artists to grow their practice, but also supports artists in growing their network through the shared studio space model.
Special thanks for the support from:Government of Ontario @ongov
Kristyn Wong-Tam, MPP Toronto Centre @kristynwongtam
Ontario Arts Council @ontarioartscouncil
Akin Projects @akinprojects
Toronto Arts Foundation @torontoartsfoundation
Neighbourhood Arts Network @neighbourhoodarts
Remote Gallery, 568 Richmond Street West
Azadeh Pirazimian, Unheards, Aug. 30 - Sept. 1, Remote Gallery
Azadeh Pirazimian, Unheards
Aug 30 - Sept 1
Remote Gallery, 568 Richmond St W
Opening Reception: Sat. Aug. 31: 6-9pm
Fri. Aug. 30: 4-9pm
Sat. Aug. 31: 11am-9pm
Sun. Sept. 1: 11am-7pm
Image Description: The artist is pictured sitting on a wooden floor in the corner, holding one of her clay creations with more at her feet. The walls behid her are covers by large panels of paper with her large scale drawings. The following words are displayed “Azadeh Pirazimian, 2023 Space Award Winner” At the bottom the following logos appear “Akin, Toronto Arts Fundation and Neighbourhood Arts Network”
Azadeh is a 2023 Space Award Winner. this award is a partnership between Toronto Arts Foundation, Neighbourhood Arts Network and Akin. This award focuses on providing affordable shared studio and/or exhibition space to newcomer professional artists who are past recipients of our Newcomer Arts Access Award (formerly known as RBC Arts Access Award). This award not only provides funding and space essential for professional artists to grow their practice, but also supports artists in growing their network through the shared studio space model.
Azadeh Pirazimian is a multidisciplinary artist, art educator based in Toronto and former lecturer in Iran. With a passion for exploring themes of self-expression, communication, daily resistance, through diverse media, including drawing, painting, photography, performance, and sculpture. Her methodology has been consistent throughout her career, resulting in her own distinctive visual language.
Over the years, Azadeh has showcased her works at multiple exhibitions in Iran, Canada, and the Netherlands. Her art in Canada has received recognition through the Newcomer Artists Mentorship Grant and RBC Space Awards.
Azadeh holds a bachelor's degree in painting and a master's in visual communication. In the fall of 2023, Azadeh will pursue her MFA at University of Waterloo, where she can develop her artistic skills further.
View more of her work at www.azadehpirazimian.com/ and @azadeh_pirazimian
Remote Gallery, 568 Richmond St W
Chris Gardiner’s Three Favourite Things about being a member at Akin Niagara!
We took some time to chat with Akin Member Chris Gardiner about our newest West-End location, Akin Niagara. Continue reading below to find out Chris’ three fabourite things about being a member:
1. The enormous potential the outdoor space has. There seems to be room outside for almost anything: outdoor sculpture, plaster casting, working on a large canvas, using smelly solvents, cooking encaustic, spraying, pouring, etc. Safe outdoor use for Acrylic Paint: 1.7 degrees to 37.8 degrees Celsius!
Image Description: Outdoor patio with table and umbrella in the center, bbq in the back left and benches and window to the right.
2. The nearby area. It’s vibrant. There’s always a lot of energy, and things to see. I am also close to art supplies stores, hardware, groceries, etc.
3. Torin the Studio Manager. He's very friendly, and good at bringing us together as a community of artists. He's one of those magnetic personalities that you like to be around. I'm also a big fan of musicians that go through art schools.
Image Description: Image of the facade of the building that Akin Niagara resides in. It is a 5-storey building red brick on the right side and covered in white concrete on the left side. The photos os taken in spring so there are many green trees. a teal blue graphic border surrounds the photo with graphic pops if pink. The Akin logo live atop the image and the words “Akin Niagara!” sit below.
Chris’s studio at Akin Niagara
Image Description: Chris’s studio at Akin Niagara features a grey chair positioned against the left wall, beneath a thin shelf. The walls to the left and back are adorned with several paintings.
Chris Gardiner’s two-dimensional work combines elements of Geometric Abstraction, Neo-Dada, and Art Informel. Whether he focuses on a process of drawing that emphasizes spontaneous/gestural qualities of the artistic process; collage that creates unexpected juxtapositions, a sense of irony, or a disruption of the viewers' expectations; or in painting where precise shapes and forms are arranged in deliberate and structured ways. Gardiner’s work challenges viewers to question their assumptions about the nature of art, and invites them to engage with the work in unexpected and thought-provoking ways. In metaphorical terms it’s Free Jazz meets Professional Wrestling.
See more of Chris’s work at www.chrisgardinerart.net and @gardinerartdotnet
Chris’s paintings in his studio at Akin Niagara
Image Description: Several paintings hanging in Chris’s studio made of black, white or red lines.
Chris Gardiner, Bars and Toner 2023, Oil on Canvas, 32"x42"
Image Description: Painting with multiple vertical black and white bars, one small red horizontal bar in the lower right hand corner and several red strokes in the top left hand corner.
Akin Niagara is located at 289 Niagara Street just south of Queen Street West and in close proximity to Trinity Bellwoods Park. Akin Niagara features rooms with large windows which get ambient daylight and an outdoor patio space exclusively for Akin Niagara members’ use.
All memberships include taxes, 24/7 access, wifi, utilities, insurance, shared storage facilities, restroom and kitchen access, communal workspaces, common area cleaning, connection to a community of artists and more!
Shared Memberships: $78/month
• Access to shared working areas and storageDedicated Memberships (your own studio):
• Private and semi-private options
• Sizes range from 40 sqft at $252 per month to 117 sqft for $551 per month.
Visit www.akin.art for more info.
Link in Bio to view all currently available studios.
Contact us at info@akincollective.com to book a studio tour!
Image Description: Background image of graphic squiggles and shapes in pastel colours around the border with white in the middle. The words: “HUMAN PARTY, Participatory Art Experience for Everyone” Dates and Location listed below in copy.
Kseniya Tsoy, Human Party at Remote Gallery
Take part in this unprecedented participatory art experience to discover and experiment with different art materials and techniques, make art (obviously!) and be part of the art show you’ll create along with anyone who joins. What will you make? ;)
All ages and abilities are welcome, and folks with no art experience are especially encouraged to join!
Facilitated by Toronto-based community engaged artist Kseniya Tsoy @ktsoy.art
Days and Times:
Aug 12 - 14: Drop-In Artmaking, 4-6pm
Aug 15: Final Show & Party, 4-7pm
“I am very grateful for the Space Award. Having access to a venue like Remote Gallery where I could test my ideas, bring people together and showcase art is huge and very much appreciated.”
Kseniya is a 2023 Space Award Winner. The Newcomer Space Award is a partnership between Toronto Arts Foundation’s Neighbourhood Arts Network and Akin. This award focuses on providing affordable shared studio and/or exhibition space to newcomer professional artists who are past recipients of our Newcomer Arts Access Award (formerly known as RBC Arts Access Award). This award not only provides funding and space essential for professional artists to grow their practice, but also supports artists in growing their network through the shared studio space model.
Remote Gallery, 568 Richmond St W
Join Us for the Akin St Clair Studio Market!
Akin St Clair Studio Market!
Read More
Get to know SKETCH Working Arts!
SKETCH Working Arts is an artist studio and event space located in the vibrant Trinity Bellwoods neighborhood. Studios are available for rent for personal artistic production, workshops and private events from 9am-9pm, 7 days a week. Home to a music studio, audio production lab, movement studio, ceramics studio and kiln, an industrial kitchen and two dynamic studio spaces, everyone is welcome to join the SKETCH community in art making at the historic Youngplace building at 180 Shaw St.
SKETCH runs free arts programs for aspiring and emerging creatives 18-35yrs, who are navigating poverty Studios are accessible to mobility devices via a ramp and elevator.
SKETCH has sliding scale rental fees and offers lower prices for individual artists and higher prices for for-profit organizations. Please see sketch.ca/rent for individual pricing options.
Booking inquiries, tour requests and questions can be sent to spaceshare@sketch.ca
Rent SKETCH Studios!
Pottery Studio & Kiln
This cozy ceramics studio is fully equipped for professional ceramics workshops, or for an individual or small collective to hand build or throw on the wheel. Stop lugging your ceramics around and benefit from our in-house technician and onsite kiln for your bisque and glaze firing needs.
EQUIPMENT: Large kiln, 3 wheels, extruder, slab roller, various hand tools, boards, glazes, table and stools.
STUDIO SIZE: 480 Sq Ft
KILN SPECS: Shelves are 13 x 26 inches, with 12 shelves in the kiln. Cone 6 firing for glazes and clays. Requests for firings lower than Cone 6 or luster firing are also available.
CAPACITY: 6
To rent and for more details visit: www.sketch.ca/rent/pottery-studio/
Available separately for music lessons or brand practice, mixing and mastering, or paired for live recording. Fully soundproofed, the Music Studio is the perfect set-up for music rehearsal, recording music, podcasts and soundbites. Bring your own or enjoy the shared instruments. The Control booth is also available separately for post-production needs.
CONTROL BOOTH EQUIPMENT: Mac computer, fully outfitted prosumer sound board with Apollo, Ableton, and accompanying recording gear.
REHEARSAL SPACE EQUIPMENT: Drum kit, multiple acoustic guitars, electric guitar and bass, Various amps and cords, cajón drum, microphones and talk-back system connected to control booth.
SIZE: 315 Sq Ft
CAPACITY: 8 rehearsal space; 3 control booth
To rent and for more details visit: www.sketch.ca/rent/music-studio/
Movement Studio
This beautiful studio has large west facing windows providing ethereal natural light throughout the day. The custom springboard floor provides a warm and comfortable surface for all movement activities. Perfect for wellness courses, dance or theater rehearsal, regular group dance classes, or expressive music or movement classes for children.
EQUIPMENT: Speakers, mobile benches, mirror wall, and 2 barres.
SIZE: 900 Sq Ft
CAPACITY: 20 in motion
To rent and for more details visit: www.sketch.ca/rent/movement-studio/
SKETCH Working Arts is a non-profit community arts organization that runs free arts programs for aspiring and emerging creatives 18-35 years old who are navigating poverty and precarity due to systemic oppression with a focus on those who identify as 2SLGBTQIA+, Black, Indigenous, and other racialized young people. Through free arts based programs, wrap-around services and access to studio space, young people can experience the transformative power of the arts; build leadership and sustainable livelihood in the arts; and cultivate social and environmental change through the arts.
Stay tuned to find out what courses will be offered in the Fall by visiting sketch.ca or following @sketchtoronto.
For more details, visit: www.sketch.ca/programs/what-we-offer/
SKETCH Working Arts, 180 Shaw St
Get to know Remote Gallery! Open House July 17, 5-8pm
Join us at Remote Gallery on Wednesday July 17, located at 568 Richmond Street West, from 5 to 8pm for an Open House event. During this event, artists and creative folks interested in learning more about the space can meet Remote Gallery’s Manager, Renato Baldin and learn about the potential of the space, discuss tips for setting up exhibitions, available dates, and how to bring your ideas to life.
Remote Gallery Manager, Renato Baldin
Remote Gallery is Akin’s dedicated exhibition and programming space. It provides opportunities for artists and members of the public to rent financially-accessible space for various types of programming.
Our versatile venue is open for single or multi-day rentals, accommodating workshops, presentations, meetings, community events, exhibitions, performances and various artistic programs. We are currently offering a 15% discount on bookings for rental dates from now until the end of August 2024.
Students and 2024 graduates of the following institutions are eligible for a 20% discount on bookings for rental dates from now until the end of August 2024: Academy of Realist Art, Centennial College, George Brown College, Humber College, OCADU, Seneca College, Sheridan College, Toronto School of Art, Toronto Metropolitan University, University of Toronto and York University.
Please join us for the Open House event on July 17th and share with artists who might be interested.
No registration necessary, drop-ins welcome. See you there!
In the meantime - check out www.akincollective.com/remote for gallery details.
Click here for all Remote Gallery Accessibility information
Remote Gallery, 568 Richmond Street West
Artist Opportunities - Summer 2024 Edition
Happy Summer! We’ve curated a list of exciting upcoming opportunities for you to display your talents. Remember, Akin is cheering for you!
Artist Project
Deadline: Sunday, October 20, 2024
The Artist Project is dedicated to supporting the development of students, new graduates and self-taught artists by offering free exhibition space at the show in the Untapped section. This application is open to first-time exhibitors at Artist Project. Apply today to enter this juried competition for an opportunity to participate.Applications are now open!
Read more and apply here
Tangled Art Gallery
Deadline: Friday, August 9, 2024
Tangled Art + Disability is now accepting applications to exhibit your artwork at Tangled Art Gallery. We invite submissions from Deaf, Mad, and Disability-identified artists and curators, as well as arts organizations and other cultural producers who practice Disability Arts and Curation. There are two different spaces you can apply to show your work: the main gallery space or the window vitrines.
Read more and apply here
StreetARToronto Partnership Program
Deadline: Wednesday, August 21
StreetARToronto (StART) comprises a suite of innovative programs specifically designed for streets and public spaces. StART programs encourage active transportation (walking and cycling), make our streets more inviting and safe, reduce overall infrastructure maintenance costs, showcase local artists, mentor emerging talent, and create opportunities for positive engagement among residents, business owners and operators, artists, and arts organizations. Individually and collectively StART murals are designed to celebrate the City of Toronto motto "Diversity Our Strength" and foster a greater sense of belonging among all. Mural by @leylandadams
Read more and apply here
Emerging Artists Over 30
Deadline: Tuesday, July 16, 2024
Arts Etobicoke is pleased to announce an open call for submissions for emerging artists over 30 years old based in West Toronto. This initiative aims to provide a platform for mature new artists to launch their artistic careers and showcase their work. This curated exhibition will challenge the common narrative that emerging artists must be under this age and seeks to address the gap by offering a space for artists who may have started thier artistic journey later in life.
Read more and apply here
Indigenous Youth Roots Community Grants
Deadline: Wednesday, July 31
Grassroot youth groups/collectives (comprised of Indigenous youth ages 15-29) are eligible to apply for funding to support community programs and projects while receiving innovative mentorship, training and capacity-building opportunities. Funding will be provided to projects/groups that seek to create impactful community change and increase the wellness, resiliency and engagement of Indigenous youth.
Read more and apply here
The Residency Project
Deadline: Tuesday August 20
The Residency Project (TRP) provides time and space in support of creative research and artistic experimentation, with an emphasis on creating opportunities for historically underrepresented artists—women, BIPOC and LGBTQ+ artists, artists with disabilities, and parents—as well as artists who actively pursue environmentally sustainable practices. Open Call for applications for 3-week funded residencies in winter/spring 2025 at TRP @ 880 in Pasadena, CA. Individual artists and partnered artists are welcome to apply!
Read more and apply here
Toronto Queer Film Festival 2025 Symposium Call for Proposals
Deadline: Monday, Sept 9, 2024
An in-person and online symposium organized by the Toronto Queer Film Festival. Everyone is welcome to apply. This is a paid opportunity for all involved if selected. The Toronto Queer Film Festival is seeking proposals for its annual Symposium around the theme of Collective Resistance. Today as we witness various forms of violence and dispossession, apartheid, the destruction of ecosystems and the war on poor and disabled people, to name a few, we, as queer and trans people, ask how we can come together to respond and resist.
Read more and apply here
IMAGE DESCRIPTION: The artwork “Unitiled” by artist Robin Muccari. An abstract collaged image of human hands, grouped together and touching. Some hands wear large diamond rings and all have carefully manicured blue or gray polish. The hands also grasp dried flowers and a sea sponge. Strings of collaged colour and textured patterns burst from the background.
On now! Robin Muccari at the Akin Vitrine Gallery
The Akin Vitrine Gallery is so excited to welcome a brand new exhibition, “Untitled” by Robin Muccari, an artist who works out of the Akin St Clair studios. The gallery is visible from the street, so swing by to check out Robin’s fantastic work any time, 24/7!
When: June 24th - August 31, 2024
Where: Akin Vitrine Gallery, 1747 St Clair Ave W
Robin Muccari is an artist, illustrator, and designer located in Toronto, Ontario. His art ranges from analog to digital in collage, illustration, and animation. His three-dimensional analog collage artwork, "Untitled", was created in 2024 and will be on display in Akin Vitrine Gallery starting June 24th, 2024. The piece displays a static form of animated motion. Hands and objects rise from the bottom up, with light blue paths representing the direction and flow and energy.
We caught up with Robin to find out more about his inspiration, life, and work.
Akin: What are you curious about right now?
RM: “I'm very interested in creating mechanical collages. Having seen interactive art in the past and watching mechanical objects in YouTube videos is inspiring.”
Akin: What was your first medium and what's your favourite tool/material right now?
RM: “I grew up frequently drawing with whatever I had: crayons, No. 2 pencils, Berol colored pencils, ballpoint pens, and colored markers. Now, I am completely focused on analog collages using X-acto knives, glue, wires, wire cutters, pliers, and a saw.”
Akin: Do you have a studio routine ie: Are you a daily ritual person or are you project-focused in spurts?
RM: “I try to make it to the studio as much as I can but it's usually 2 or 3 times a week, in the evening after work. It's mostly focused on more than one project at a time. There are some times when I look through boxes of magazines for images that work with my thoughts or I improvise based on what I find.”
Akin: Do you have creative prompts or habits to help you get started?
RM: “Music and music videos. I go through phases and repeatedly listen to the same songs or albums because they give me motivation and help me think creatively. I also watch music videos on YouTube—generally from the 80s and 90s—for the same reason. I'm not sure why but outdated effects in them influence me.”
Akin: Is there an artist you'd like to go back in time to meet? What would you ask them about?
RM: “German Expressionists (George Grosz, Otto Dix, Hannah Höch, and many filmmakers) have been a major inspiration since I was a kid. I'd ask them about their inspirations, how they came up with their styles, and the Weimar Republic era in general.”
Akin: What are some of the benefits of being in the studio for you? What brought you to Akin?
RM: “It's really nice to have studio space because I'm able to leave home and focus on my work instead of being distracted by two cats. It's also great to chat with the other artists near me who work in mediums different from me. I looked for studio spaces on Google and Akin had a lot of locations and spaces at an affordable cost. I'm really glad I ended up at the St. Clair location because it reminds me of the studio spaces in the arts college I went to.”
Akin: What are you NOT very good at? What do you WANT to be good at?
RM: “I'm TERRIBLE at applying glaze to clay sculptures. They never turn out as I hoped. I have really enjoyed sculpting in the past so, at some point, I'm sure I'll try to get better.”
Akin Vitrine Gallery, 1747 St Clair Ave W
Call for Proposals: Beyond the Tarmac at Downsview Airport Lands, Toronto
Calling makers, planners and creatives that think BIG.
Northcrest Developments @northcrestdev invites proposals for a high-impact festival, performance, installation, or activation on 600 metres of taxiway on the Downsview Airport Lands. The site is a blank canvas ready to be infused with creativity.
The proposed projects must be experienced or viewed from the Interim Activation Zone. They must be experienced from the outdoor areas, however, proposals can include the exterior of hangar buildings. Projects can utilize as much or as little of the Interim Activation Zone as they require. This total maximum space represents up to 290,000 square feet, which can support up to 50,000 people.
This is a two-stage process. In Stage One, a panel of seven local and city-wide arts and culture experts will review the submissions and select a shortlist of up to ten applications. In Stage Two, a shortlist of applicants will be invited to more fully develop their proposals and attend an interview. Shortlisted applicants will be given a $500 honorarium to prepare for and attend the interview.
Check out whats going on at Downsview Airport Lands here: www.northcrestdev.ca/whats-on
• Project Budget: $100,000
• Deadline: Thursday, June 20, 2024
To view all details and to apply: https://www.northcrestdev.ca/news-and-insights/beyond-the-tarmac
Downsview Airport Lands
Introducing Ceramics Kiln Firing Services at Akin St Clair!
Are you a ceramics enthusiast looking for reliable kiln firing services in Toronto? Look no further! Akin St Clair (1747 St Clair Ave W) is excited to announce the launch of ceramics kiln firing services for glass and ceramic artists.
This privately run kiln, operated by skilled technician and long-time Akin Member Liliana, is now available to fire your creative pieces. The kiln is available to fire work for non-Akin members however, there may be longer wait times as Akin Members are prioritized.
The kiln is privately owned and operated by the kiln technician. Akin does not guarantee kiln firing availability, timing, or pricing. Kiln firing services are not included as a part of Akin Membership fees.
KILN SPECIFICATIONS AND PRICING:
Paragon Kiln: 16.90 inches (43cm) wide x 11 inches (28cm) high.
*Available for glass works, bisque fire & glaze (only low fire clay)
Shelf dimensions: 15 1/2 inch (39.5cm)
Kiln available to have 1-3 shelfs depends of the pieces dimensions.
Prices:
1/2 shelf : $12 + tax
One Shelf: $22 + tax
Full Kiln: $40 + tax
Cone Art Kiln: 23.5 inches (59.69cm) wide x 22.45 inches (57cm) high.
*Available for glass works, bisque fire & glaze (high & low fire clay)
Shelf dimensions: 21 3/4 inch (53.34cm)
Kiln available to have 1-5 shelfs depends of the pieces dimensions.
Prices:
1/2 shelf: $14 + tax
One Shelf: $28 + tax
Half Kiln: $ 53 + tax
Full Kiln: $105 + tax
For more detailed information visit: www.akincollective.com/ceramics.
To ask questions or schedule a firing please send an email to Liliana, the kiln technician at liliputmorritos@hotmail.com and you can follow her @Ceramic.Glass.Kilns. It may be helpful to take a pictures of the pieces you want fired and send via email.
To learn more about Liliana, read our blog! https://www.akincollective.com/blog/2023/akin-member-highlight-liliana-botero-rey.
To become an Akin Member at Akin St Clair, email us at info@akincollective.com or check our what's available at www.akincollective.com/currently-available
We look forward to seeing your creations!
Akin St Clair, 1747 St Clair Ave W
Image Description: A tattooed individual stands in a striking off-the-shoulder blue dress, with flowers scattered across the dress and trailing onto the ground. In the background is a serene body of water, arid land, and low hills.
FLUIDS June 20 - 23 at Remote Gallery
FLUIDS
June 20 - 23
Remote Gallery
Opening Night:
June 20, 6-11pm
Maria Allass performance at 9pm
Queer body is in constant transformation, reviewing identities and expanding possibilities of expression. They are fluid, liquid, and exuberant, just like the eternal dynamics of life.
The exhibition FLUIDS brings together a collection of video art, photographs, and live performances from three queer artists who question the status quo and rigidity of binary gender determination. Drawing from their research and personal live experiences, the artworks reflect on the theme of the fluidity of our bodies, and the freedom of being ourselves.
Featured artists: @galactticaaa, @queer.portraits, @renato.baldin, @mariaallass
Let’s celebrate pride with art!
Visitation Hours:
Fri., June 21, 2 - 8pm
Sat., June 22, 2 - 10pm - Maria Allass performance at 8:30 pm
Sun., June 23, 2 - 6pm
Remote Gallery, 568 Richmond St W
Kseniya Tsoy, 2023 Space Award Winner Workshop
In early March 2024, Kseniya Tsoy, a community-engaged artist, hosted a children's workshop at Remote Gallery, funded by her 2023 Space Award. The excursion to Graffiti Alley, conveniently located nearby, allowed kids aged 2 to 6 to dive into street art, finding inspiration to create their own "tags." Upon returning to the gallery, they turned their initials into imaginative characters and abstract artworks. Both children and parents displayed remarkable talent and had a thoroughly enjoyable time.
Kseniya Tsoy is a new Canadian community-engaged artist originally from Uzbekistan. Whether it's community murals, illustration or cultural production, Kseniya’s work has a distinct social purpose and focuses on diversity and inclusion. As a visual artist, her work is inspired by folk motifs and legends of different cultures that influenced her throughout her life. As a person of mixed heritage, Kseniya’s art is a visual expression of her never-ending exploration of identity and belonging.
You can learn more about Kseniya’s practice at www.ktsoy.art and on Instagram at @ktsoy.art
“I am very grateful for the Space Award. Having access to a venue like Remote Gallery where I could test my ideas, bring people together and showcase art is huge and very much appreciated.”
Kseniya is a 2023 Space Award Winner. The Newcomer Space Award is a partnership between Toronto Arts Foundation’s Neighbourhood Arts Network and Akin. This award focuses on providing affordable shared studio and/or exhibition space to newcomer professional artists who are past recipients of our Newcomer Arts Access Award (formerly known as RBC Arts Access Award). This award not only provides funding and space essential for professional artists to grow their practice, but also supports artists in growing their network through the shared studio space model.
HELIO EUDORO, Invisible at Remote Gallery
Helio Eudoro
Invisible
May 23 - June 2 at Remote Gallery
Image Description: A colour photograph of a person holding a large bundle of balloons obfuscating their face. They are standing on small rocks next to a large bolder by a body of water with trees and a sailboat in the background.
Solo Exhibition and Book Launch
Opening Reception: Thursday May 23, 6 - 9pm
Gallery Hours: Mon - Sun: 10am - 6pm
Invisible is a photographic visual essay by Helio Eudoro. Through self-portraiture and collaborations, the artist explores the complex layers of visibility and forms of cultural exclusion through the lens of sexuality, body image, diaspora and aging.
Helio Eudoro is a Brazilian-Canadian multidisciplinary artist based in Toronto. He holds a BFA (Hons.) in Sculpture and Installation from OCAD University (2022). His work explores the intersection of identity, gender, sexuality, diaspora, and aging. Eudoro's art investigates themes of possessions, waste, and the cycle of mindless ownership, seeking to spark dialogues that challenge our understanding of body and identities, as well as material systems and their impact on consumption and disposal habits. He has received several grants and awards, including the 2022 OCADU Carmen Lamanna Award and the 2020 RBC Newcomer Arts Award. Eudoro's artwork has been exhibited in galleries and museums across Canada and Brazil, including the Art Museum at the University of Toronto in 2023 and ArtworxTO in 2022. His art is featured in collections such as the Museu de Arte Moderna da Bahia and the Museu de Arte Contemporânea of Rio Grande do Sul in Brazil.
Helio is a 2023 Space Award Winner. The Newcomer Space Award is a partnership between Toronto Arts Foundation’s Neighbourhood Arts Network and Akin. This award focuses on providing affordable shared studio and/or exhibition space to newcomer professional artists who are past recipients of our Newcomer Arts Access Award (formerly known as RBC Arts Access Award). This award not only provides funding and space essential for professional artists to grow their practice, but also supports artists in growing their network through the shared studio space model.
Learn more about Helio’s work at @helioeudoro, @nada_is_nothing and helio-eudoro.format.com
Remote Gallery, 568 Richmond St W, Toronto, ON M5V 1Y9
FUNDING PROVIDED BY
The Newcomer Space Award is made possible with the support of RBC.